In 1972, James Brown produced a single for one of his backup singers, Lyn Collins, called “Think (About It)”. If you listen to this without any context, it sounds like a perfectly fine funk song with an unusual rubato introduction. But then, at 1:22, there’s suddenly that break, followed immediately by that hook. Sing it …
Tag Archives: blues tonality
Dancing in the Street
Now that my semester is done, it’s time to start thinking about the next one. I like to spend the first day of class on a song that encompasses all the big themes and topics we’ll be covering. For this spring’s pop theory kids, I chose “Dancing in the Streets” by Martha Reeves and the …
Ray Charles sings “You Are My Sunshine”
I am mildly obsessed with this recording, both as a work of art and as a music teaching resource. While I have mentioned this track several times on here, I haven’t really dug into the details. So it’s time to change that. There’s a lot to talk about: the genre, the chords, the melody, the …
Stormy Monday
They Call It Stormy Monday by Dr. Ethan Hein But Tuesday’s Just As Bad Read on Substack Sometimes you find a song that is so full of clear examples of music theory concepts that you want to build your whole syllabus around it. The Allman Brothers version of “Stormy Monday”, which they adapted from Bobby …
Pusherman
I am always on the lookout for clear examples of blue thirds, pitches in between the standard equal-tempered major and minor thirds. I heard Curtis Mayfield’s “Pusherman” recently, and the vocal melody grabbed my ear. (Be advised that the first verse uses the n-word.) You can hear the pitches in the vocal melody even more …
Rock Steady
I need a lot of reassurance that things are going to be okay. This Aretha Franklin groove reliably does the job for me. I say “groove” and not “song”, because while “Rock Steady” does have a minimal song structure, it’s all in support of helping you dance. The musicians on this track represent the gold …
Check out this excellent blue note
I got a question from a Twitter friend: Oh @ethanhein, a blues tonality Q for you: On Muddy Waters’s “Double Trouble,” on the LP Sings Big Bill, James Cotton opens his harp solo w/a note so ripe it almost derails the record —yet somehow it works. My Q: what makes that note so bracing? Link: …
I Heard It Through The Grapevine
My first exposure to Marvin Gaye’s recording of “I Heard It Through the Grapevine” was on the Big Chill soundtrack, which my baby boomer parents kept in heavy rotation. Here’s a live version. Nobody wore a glittery tux like Marvin Gaye.
I Wanna Be Your Lover
In addition to drumming with the Roots, Ahmir “Questlove” Thompson is a brilliant DJ, and he wrote a Twitter thread about his top ten most reliable dance floor fillers. Prince figures heavily in the thread, first because he once tipped Quest $100 for having the audacity to slip Miles Davis’ “Milestones” into a DJ set. …
Betty Davis and the blues sus4
I heard this Betty Davis song while I was doing a shift at the Park Slope Food Coop and the guitar riff grabbed my ears. In this post, I explain why, and what the riff can tell us about blues harmony. First of all: is this music blues? You might argue that it’s a funk …