I Wanna Be Your Lover

In addition to drumming with the Roots, Ahmir “Questlove” Thompson is a brilliant DJ, and he wrote a Twitter thread about his top ten most reliable dance floor fillers. Prince figures heavily in the thread, first because he once tipped Quest $100 for having the audacity to slip Miles Davis’ “Milestones” into a DJ set. …

No, Rolling Stone, D minor is not the saddest of all keys

We all love This Is Spin̈al Tap, but you’re not supposed to take it literally. Nevertheless, this very silly Rolling Stone article tries to prove Nigel right. The author is a doctoral student in quantitative methods. She should probably have asked a music theorist about this before publishing it, or really any musical person. I …

Happy Earth, Wind and Fire Day

Today is September 21st, the subject of one of the most joyful recordings ever made, which comes with an all-time-great music video. The song in turn inspired my favorite work of fan art. pic.twitter.com/HR06yeUPFv — demi adejuyigbe (@electrolemon) September 22, 2016

The happiest chord progression ever

See also: the saddest chord progression ever. And also check out this deep dive into the groove of “I Want You Back.” We customarily think of descending melodies and chord progressions as being sad–they call it the “lament bass” for a reason. You may be surprised to learn, then, that the happiest song of all …

Classical composers, Bowie and Björk

This post originally took the form of a couple of Twitter threads, which I’ve collected and edited here for easier reading. Greg Sandow asks two very interesting and provocative questions of classical music: When the Museum of Modern Art did its first retrospective of a seminal musical artist, no surprise it was Björk who reached past music …

Frank Ocean – Pink and White

I’m working on a new music theory course with the good folks at Soundfly, a continuation of Theory For Producers. We were looking for contemporary songs that use modal interchange, combinations of different scales to create complex blends of emotion. Soundfly producer Marty Fowler suggested a Frank Ocean song, which I was immediately on board …

Music Matters chapter nine

Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class.  Research into music psychology (and simply attending to your own experience, and to common sense) shows that music arouses emotions. However, there is no conclusive way to explain why or how. To make things more complicated, it’s perfectly possible to perceive an emotion in …

John Dewey on music education as experience

If I’m going to understand progressive philosophies of education, then I need to understand John Dewey. So here we go. Dewey is a progressive hero. He was a supporter of women’s suffrage, a founding member of the NAACP, and was ahead of his time on the importance of multiculturalism. Contrary to what I had always assumed, he did not invent the …

Please stop saying “consuming music”

In the wake of David Bowie’s death, I went on iTunes and bought a couple of his tracks, including the majestic “Blackstar.” In economic terms, I “consumed” this song. I am a “music consumer.” I made an emotional connection to a dying man who has been a creative inspiration of mine for more than twenty years, via “consumption.” That …

Making chords from scales

Jazz musicians think of chords and scales as two different ways of looking at the same thing: a group of pitches that sound good together. If you organize the pitches sequentially and play them one at a time, you get a scale. If you stack them up and play them simultaneously, you get chords. Here’s …