I am finishing my dissertation soon and am applying for full-time academic jobs. Here’s my research statement. Also see my teaching statement. I have three main areas of research interest: the teaching and learning of rhythm and groove; the challenges of hip-hop pedagogy; and expanding the teaching of harmony to include groove-based musics, particularly the …
Tag Archives: PhD
Toni Blackman on the wisdom of the cypher
Toni Blackman is one of the three hip-hop educators I’m studying for my dissertation. She teaches freestyle rap as a way to build authentic confidence, and she gave a talk and a workshop on the subject at Ableton’s 2018 Loop Summit. Ableton recently posted the video of Toni’s talk. She concludes it with a freestyle, …
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Toni Blackman’s hip-hop meditation
Toni Blackman‘s hip-hop education practice resembles music therapy as much as it does traditional music teaching, so it makes perfect sense that she would release a hip-hop meditation album. I did a remix of my favorite parts for my dissertation mixtape: Toni argues that freestyling builds authentic confidence that comes from the soul, and that …
Teaching whiteness in music class
Update: evidence that racism is an urgent problem. Further update: the online alt-right has some feelings about this post. Music education is in a ”crisis of irrelevancy” (Reimer, 2009, p. 398). Enrollment in school music has declined precipitously for the past few decades. Budget cuts alone can not explain this decline (Kratus, 2007). School music …
Gender in science
Final paper in History of Science and Technology with Myles Jackson – see also the presentation version When we ask what the field of gender studies has contributed to understanding the relationship between science and society, we must separate two classes of feminist critique: discussions of equity, and discussions of content. The equity critique is straightforward: …
Duke Ellington, Percy Grainger, and the status of jazz in the music academy
On October 25, 1932, Percy Grainger invited Duke Ellington and his orchestra to perform “Creole Love Call” as part of a music lecture at New York University. It was the first time any university had invited a jazz musician to perform in an academic context. I will argue that the meeting of Grainger and Ellington …
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Ngoma aesthetics after apartheid
Writing assignment for Ethnomusicology: History and Theory with David Samuels Louise Meintjes (2017) Dust of the Zulu: Ngoma Aesthetics After Apartheid. Durham: Duke University Press. Brian Larkin (2008) Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria. Durham, NC: Duke University Press. The image of Zulu men dancing, singing and drumming carries heavy symbolic weight. …
Aurality
Writing assignment for Ethnomusicology: History and Theory with David Samuels Ana Maria Ochoa Gautier (2014) Aurality: Listening and Knowledge in Nineteenth-Century Colombia. Durham: Duke University Press. The nineteenth-century Colombian writing discussed by Ochoa Gautier, like Western convention generally, opposes “art” and “folk” musics. “Art” music is comprised of works created by named authors, transmitted visually via …
Theorizing sound writing
Writing assignment for Ethnomusicology: History and Theory with David Samuels Deborah Kapchan, editor (2017) Theorizing Sound Writing. Middletown: Wesleyan University Press. My doctoral advisor Alex Ruthmann, when evaluating some piece of technology used for music education or creation, asks: what does the technology conceal or reveal? Writing is what Foucault called a “technology of the self,” …
White nationalist music in Sweden
Writing assignment for Ethnomusicology: History and Theory with David Samuels Benjamin Teitelbaum’s study of Nordic nationalist music could not be any more timely. Gramsci diverged from classic Marxism when he argued that shifts in the cultural sphere create the conditions for political or economic change, rather than the other way around. Since Swedish nationalists do not …