My 20th Century American Pop History syllabus

See also a discussion of our kickoff song. The course will have two components: weekly listening, reading and discussion assignments, and an ongoing public-facing writing project.

I decided what song I’m going to start my History of 20th Century American Popular Music class with

Content warning: this post includes offensive imagery. Way down upon the Swanee River by Dr. Ethan Hein It’s racist down there Read on Substack One of my tasks for the next two weeks is to put together my syllabus for NYU’s new music history class on 20th century American popular music. To start the semester off, I …

Teaching Pop Music Analysis for Non-Majors

I am teaching two new NYU classes this fall. One of them is History of 20th Century American Popular Music, which I wrote about recently. The other is Pop Music Analysis for Non-Majors. I enjoy teaching new classes, even though they require a lot more work than teaching an existing class. The history class takes …

Teaching the history of 20th century American popular music

In the fall, I’m teaching a new music history class at NYU on 20th century American popular music. This is not a history of rock. When the department says “20th century”, they mean the entire 20th century. We don’t get to Elvis until after the midterm. The most difficult part is going to be the …

How to learn to jam

Improvisation is the easiest and the hardest thing in music. Little kids do it effortlessly, while world-class performers and composers find it terrifying. I am a confident improvisor, but it took me a few decades to get here. Now I’m teaching classrooms full of undergrads to do it, which means coming up with more of …

Introducing Tuniversity

Introducing Tuniversity by Dr. Ethan Hein and my co-founder, veteran songwriter and teacher Derek Fawcett Read on Substack My NYU colleague Derek and I are delighted to introduce you to Tuniversity, our new music learning venture. Our first songwriting course starts next month.

Check out these grooves that I have my aural skills students improvise over

If you major in music at most universities, you have to take several semesters of aural skills classes. These classes traditionally consist of two main activities: sight-singing and dictation, that is, hearing a melody or chord sequence a few times and then writing it out in notation. Aural skills class was the definite low point …

What I learned from remixing “Dreams” over and over

I was planning to talk about “Dreams” by Fleetwood Mac in class when we discuss modal harmony. Music theory teachers like to bring this tune up as an example of Lydian mode, but I don’t hear it as being in F Lydian. It’s also not clearly in C major, or A minor, or really any …

Free improvisation

Recently, I went to see a performance by my NYU colleague Ramin Amir Arjomand, whose counterpoint class meets on the opposite side of the wall from my pop theory class. Ramin’s concert was an hour and a half of extremely intense free improvisation on unaccompanied piano. It wasn’t jazz; Ramin is a classical composer and …

I love when my songwriting students drop albums

A student in my Song Factory class at the New School a couple of years ago has just released his first album. His style is outside my usual listening tastes, but I admire how personal and specific his tracks are: the found sounds, the synth bleeps, the noisy analog tape recording, the layered vocals. Carson …