Recently, I went to see a performance by my NYU colleague Ramin Amir Arjomand, whose counterpoint class meets on the opposite side of the wall from my pop theory class. Ramin’s concert was an hour and a half of extremely intense free improvisation on unaccompanied piano. It wasn’t jazz; Ramin is a classical composer and …
Tag Archives: jazz
All of Me
My students and I tend to think of all pre-rock American popular songs as being “jazz”, because that’s the context in which we tend to encounter them. However, jazz was an artistic outgrowth of popular song, and it’s worth seeing how those tunes existed before jazz musicians began interpreting them. The jazz pianist, composer and …
Rockit on the podcast
This is a subject that is ideally suited to the podcast format. Not only can I gather the music examples together, I can seamlessly weave a vocoder demonstration in there too. I also do a little remixing as a comparison method. This is going to be more of a method going forward and I am …
Circle of Fifths sequences on the pod (also me singing)
This is a seemingly dry music theory topic, but it gave me an excuse to sing “You Never Give Me Your Money” and “Fly Me To The Moon” over the instrumental to “I Will Survive”. Should I sing more on the podcast? Chord progressions on the circle of fifths part one by Ethan Hein The …
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Podcast episode on swing
Here’s a subject that I tried hard to explain using songs, without apparent success. Maybe the podcast format will work better. It don’t mean a thing if it ain’t got that swing by Ethan Hein But what actually is swing? Read on Substack
New podcast episode on McCoy Tyner and the fourths chord
Making my first podcast episode really lit a fire under me, so I quickly produced a second one, about quartal harmony in jazz, classical and film music. The Fourths Chord by Ethan Hein The sound that connects McCoy Tyner, Erik Satie, Miles Davis and Star Trek Read on Substack
Thelonious Monk plays the blues
Everything is terrible, but at least we have the blues to help us through it. Blues melody week is my favorite week of pop aural skills class. Last session, after one of my sections worked through some Aretha Franklin and John Lee Hooker, we listened to a couple of jazz tunes, including “Functional” by Thelonious …
Explaining embellishing tones
This week in aural skills, we are covering embellishing tones. This topic is tough, because I can never remember the difference between an appoggiatura and an escape tone without looking it up, but it’s on the syllabus, so I have to try. In previous semesters, I have approached it by having students identify examples from …
Bring It On Down To My House
I came to Bob Wills and His Texas Playboys through my dad. He had the first volume of The Tiffany Transcriptions on CD, a series of live recordings that the Texas Playboys made for radio syndication. My dad was an impeccably highbrow opera fan, and aside from the Elvis Christmas Album, Bob Wills was the …
Don’t Know Why
I needed a song with lots of secondary dominants in it for aural skills class, and I realized that Norah Jones’ adult-contemporary smash “Don’t Know Why” has a bunch of them. The song came out in 2002, though it could have been recorded at any time in the 50 years previous.