Starfish and Coffee

My kids love “Starfish and Coffee”, and rightly so. The version on Sign o’ the Times is fine and all, but for me, this is the canonical recording, both musically and visually: According to the Genius annotation, Cynthia Rose was a real person who Susannah Melvoin knew growing up. All the details are taken from …

Chain of Fools

“Chain of Fools” by Aretha Franklin is a song I loved for many years just for listening and enjoying, but then I started to love it even more as a music theory teaching example. It’s emblematic of blues tonality, one-chord changes, and groove structure. The released version is edited down from its original arrangement, which …

Adam Neely video on “Hey Joe” and blues tonality

It’s a delightful sensation to be watching a new Adam Neely video and then being startled by hearing my own name. A commenter says, “he just humiliates you with terminology while looking through pages of his thick clever books and then casually quotes some random guy on the internet like yeah whatever.” That random guy …

Eleanor Rigby

In both music theory and music tech classes, I ask the students to pick songs and analyze their structure. This semester, one student chose “Eleanor Rigby” by the Beatles. She had a hard time with it–understandably! It’s not a complicated song, but it is an unconventional one. In this post, I’ll talk through the tune’s …

Deconstructing the bassline in Herbie Hancock’s “Chameleon”

See also an analysis of this tune’s amazing drum groove. If you have even a passing interest in funk, you will want to familiarize yourself with Herbie Hancock’s “Chameleon.” If you are preoccupied and dedicated to the preservation of the movement of the hips, then the bassline needs to be a cornerstone of your practice.