There is a fascinating moment in “When The Levee Breaks” by Led Zeppelin where Robert Plant plays a very flat ninth on the harmonica. I love this note, because there is so much music theory and history encoded within it. Listen at 0:41. Before we can get into the details of this note and what …
Continue reading “Led Zeppelin and the folkloric integrity of the blues”
As I work toward my future book on the theory of groove-based music, I’m reading up on the existing literature. There is not a whole lot of it! Most of the scholarly work about groove is about the social side rather than the music side. That’s why I was excited to find Mark Abel’s book, …
See the complete Talking Heads series The only cover that Talking Heads ever recorded was a tune co-written by Al Green and his guitarist Teenie Hodges. Like all Al Green classics, this was produced by the great Willie Mitchell. Teenie’s brothers Charles and Leroy play organ and bass respectively, the drums are by Howard Grimes, …
This post was published in the Journal of Popular Music Education! Pierre Schaeffer and DJ Premier Introduction Digital audio workstation software, recording equipment and MIDI controllers have become steadily less expensive and easier to learn over the past two decades. As a result, it has become possible for schools at all levels to offer “an …
Continue reading “The politics is in the drums: Producing and composing in the music classroom”
Here’s one of the heaviest and most wonderful recordings ever made. The song is so mysterious, so intense, so ancient-sounding yet so fresh. John Lee Hooker recorded it in 1948 at United Sound Systems in Detroit. (He re-recorded it many more times afterwards.) It went to number one on the R&B chart, which is pretty …
“Chain of Fools” by Aretha Franklin is a song I loved for many years just for listening and enjoying, but then I started to love it even more as a music theory teaching example. It’s emblematic of blues tonality, one-chord changes, and groove structure. The released version is edited down from its original arrangement, which …
My man Adam has a word: Music is the universal language the same way English is, in that it isn't — Adam Neely (@its_adamneely) May 3, 2021 I can prove this with an example from my own life. When I was younger I got interested in my Jewish heritage and spent a couple of years …
Continue reading “Music is not a universal language and this klezmer song proves it”
Everyone’s favorite music theorist is back in the news. If you are curious about the controversy surrounding him and don’t have a music theory background, I wrote a Twitter thread for you: Okay! Clearly, you people want to read about Schenker! Here, I will add some context to this NY Times article so you can …
Continue reading “Who is Heinrich Schenker and why should you care?”
Over the summer, with the BLM protests raging, my fellow music educators were doing a lot of soul-searching about the more problematic items in the traditional repertoire. The conversation inevitably turned toward “The Star-Spangled Banner,” with some questions about its appropriateness as a national anthem. Francis Scott Key owned slaves, and the third verse of …
Here’s an exciting thing that happened recently. https://twitter.com/olabscott/status/1270192351215005697 I didn’t have an explicitly anti-racist motivation when I started making the remixes, but if they’re being received that way, I’m delighted. In this post, I’m going to do some thinking out loud about what it all means.
