In the fall, I’m teaching a new music history class at NYU on 20th century American popular music. This is not a history of rock. When the department says “20th century”, they mean the entire 20th century. We don’t get to Elvis until after the midterm. The most difficult part is going to be the …
Continue reading “Teaching the history of 20th century American popular music”
Improvisation is the easiest and the hardest thing in music. Little kids do it effortlessly, while world-class performers and composers find it terrifying. I am a confident improvisor, but it took me a few decades to get here. Now I’m teaching classrooms full of undergrads to do it, which means coming up with more of …
Most of the music I write about ranges from well known to iconic. I am not one of these people who takes pleasure in knowing about obscurities that other people don’t. However, I do have one intense fandom for a couple of guys who you are likely not to have heard of: Tim Eriksen and …
Continue reading “More people should be listening to Tim Eriksen and Peter Irvine”
I don’t know whether this is my best podcast episode, but it is definitely my most podcast episode. It covers the Beatles, James Brown, Parliament, Michael Jackson, Dizzy Gillespie, Underworld, The Orb, Run-DMC, Ella Fitzgerald, Simon and Garfunkel, the Grateful Dead, Stevie Wonder, Sabrina Carpenter, the Temptations, Herbie Hancock, Count Basie, Eddie Harris, Miles Davis, …
My favorite NPR show included my remix of Mozart’s Piano Concerto No 21 in their most recent episode about hookworms! It’s under the end credits. This is something I posted to Bandcamp six years ago and forgot about, but you never know what people are going to go looking for online. Classical Remixes Volume One …
Introducing Tuniversity by Dr. Ethan Hein and my co-founder, veteran songwriter and teacher Derek Fawcett Read on Substack My NYU colleague Derek and I are delighted to introduce you to Tuniversity, our new music learning venture. Our first songwriting course starts next month.
I was planning to talk about “Dreams” by Fleetwood Mac in class when we discuss modal harmony. Music theory teachers like to bring this tune up as an example of Lydian mode, but I don’t hear it as being in F Lydian. It’s also not clearly in C major, or A minor, or really any …
Continue reading “What I learned from remixing “Dreams” over and over”
Recently, I went to see a performance by my NYU colleague Ramin Amir Arjomand, whose counterpoint class meets on the opposite side of the wall from my pop theory class. Ramin’s concert was an hour and a half of extremely intense free improvisation on unaccompanied piano. It wasn’t jazz; Ramin is a classical composer and …
I make a couple of brief appearances in Adam Neely’s latest video about generative AI music. Neither of us think it’s a good idea.
This year I did a lot of rewriting and refining things I had previously written: for my classes, for MusicRadar columns, and for this web site here. I started a podcast, too. Recording and editing it is a lot of work, but it is extremely satisfying creatively and I’m hoping it will find its audience. …
