Artificial intelligence in music

We are kicking off my Musical Borrowing class at the New School with a discussion of artificial intelligence in music. I decided to start here because 1) we are covering concepts in reverse chronological order; 2) the students are going to want to talk about it anyway; and 3) this is the least interesting topic …

Don’t You Worry ‘Bout A Thing

Every ten years it occurs to me to learn this tune, and then I come up against the fact that it’s in E-flat minor, I get discouraged, and I give up. Well, not this time! This time I decided to take the coward’s way out: I put the tune in Ableton and transposed it up …

Musical Borrowing syllabus

This fall I’m teaching Musical Borrowing from Plainchant to Sampling at the New School for the first time. Here’s my syllabus. It will probably evolve as we go, but this is the initial plan. This course on “non-original” music explores how frequently existing compositions have been appropriated and adapted into new works, and how these …

Dies irae

This fall I’m teaching Musical Borrowing from Plainchant to Sampling at the New School. For the plainchant part of that, my example is the Dies irae sequence, which is to Western European classical music what the Funky Drummer break is to hip-hop. Dies irae (Latin for “the day of wrath”) is a medieval poem describing …

Technology in Music Education – updated syllabus

This fall, I am teaching Technology in Music Education at Western Illinois University. The students are in-service music teachers who are working toward masters degrees. Here’s my syllabus. I have left out administrative details and university boilerplate. Feel free to use any of this as you see fit, but if you do, please tell me, …

If I Fell

Is this the coolest pre-Revolver Beatles song? In terms of notes on the page, it very well could be. My daughter and I managed to sing the harmony parts together the other night. She has a good ear for a seven year old, but also, the harmonies in that song are so clear and intuitive, …

Bach’s Duet in E minor BWV 802

I did a bunch of posts on here a while back about how I like it when Bach gets chromatic and weird, and ever since then, people have been recommending me more of his weird chromatic music. Somebody on Twitter recommended that I check out the Duet No. 1 in E minor from the third volume …

Pusherman

I am always on the lookout for clear examples of blue thirds, pitches in between the standard equal-tempered major and minor thirds. I heard Curtis Mayfield’s “Pusherman” recently, and the vocal melody grabbed my ear. (Be advised that the first verse uses the n-word.) You can hear the pitches in the vocal melody even more …

Lil’ Darlin’

I finally got around to watching Tár. Early in the movie, Lydia helps her wife Sharon through a panic attack by dancing with her to one of my favorite jazz recordings, Neal Hefti’s tune”Lil’ Darlin’” as recorded by Count Basie. Lydia says, “Let’s bring this down to sixty beats per minute.” Sharon corrects her: “Sixty-four.” …

I made a new track for teaching swing

I just finished my Groove Theories book proposal and sent it out, that was about twenty years of very slow work followed by two weeks of very fast work. So fingers crossed on that. I included two sample chapters, one on blues tonality, and one on swing. For the swing chapter, I wanted to find …