MusicRadar asked me to write about “Pure Shores” by All Saints”, which I guess was a bigger deal in the UK than it was here, because I had never heard of it. Nice track though. I had definitely heard of the producer, William Orbit, who made Ray of Light with Madonna. The coolest thing in …
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I continue to work through the greatest hits of my classroom practice. It’s fun and easy making episodes using material that I have presented many times in many contexts, informed by student discussions. Eventually I will run out of this stuff and my pace will slow down significantly, but for now, the episodes are pretty …
I have written about the Funky Drummer break several times here before, but this podcast episode is my best explanation of it. The main thing that’s new is the connection between this break and Afro-Latin tresillo patterns. I also programmed a bunch of variations on the groove for comparison purposes. The name of this tune …
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Savelle was in my Song Factory class at the New School, and she just released her first EP. I could not be more excited for her, and I really dig these songs. Three by Savelle My favorite of the three is the bluesy opener, “Company.” I take no credit for any of this. Savelle came …
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It’s modulation week in aural skills class, and that means we get to talk about my two favorite pop song key changes, both of which are from the same Michael Jackson song. The song was written by Glen Ballard and Siedah Garrett. Michael and Quincy Jones produced. Glen Ballard also co-wrote and produced “Hold On” …
I did a podcast episode about Ray Charles’ recording of “You Are My Sunshine”, a crucial example for my pop theory and aural skills classes. You Are My Sunshine by Ethan Hein Ray Charles and the racial politics of country music Read on Substack This is the first episode where I layered multiple versions of …
In this episode, I use “Don’t You Worry ‘Bout A Thing” by Stevie Wonder (1973) as a jumping off point to contemplate the headache of naming notes and chords in keys with a lot of flats and sharps in them. The circle of fifths is a lie by Ethan Hein My struggles to learn “Don’t …
Everything is terrible, but at least we have the blues to help us through it. Blues melody week is my favorite week of pop aural skills class. Last session, after one of my sections worked through some Aretha Franklin and John Lee Hooker, we listened to a couple of jazz tunes, including “Functional” by Thelonious …
We’re coming up on blues melody day in aural skills class. I always like to do some close listening to Aretha Franklin for that session, especially her version of “Bridge Over Troubled Water.” I hadn’t previously done any analysis of it; we just listen and let it speak for itself. But I thought, this semester, …
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There are two kinds of embellishing tones, the ones from inside the key and the ones from outside. The outside ones are called chromatic embellishments, and that name is appropriate; you get the most color from careful application of the “wrong” notes.
