See also an analysis of this tune’s amazing drum groove. If you have even a passing interest in funk, you will want to familiarize yourself with Herbie Hancock’s “Chameleon.” If you are preoccupied and dedicated to the preservation of the movement of the hips, then the bassline needs to be a cornerstone of your practice.
Category Archives: Music Teaching
Chance the Rapper’s verse on “Ultralight Beam”
One of my favorite guest verses in all of hip-hop is the one that Chance The Rapper does on Kanye West’s beautiful “Ultralight Beam.” The song is built around an eight bar loop. (See this post for an analysis of the chord progression.) Chance’s verse goes through the loop five times, for a total of …
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Freedom ’90
Since George Michael died, I’ve been enjoying all of his hits, but none of them more than this one. Listening to it now, it’s painfully obvious how much it’s about George Michael’s struggles with his sexual orientation. I wonder whether he was being deliberately coy in the lyrics, or if he just wasn’t yet fully in touch …
Careless Whisper
The infamous saxophone riff in “Careless Whisper” is one of the most infectious earworms in musical history. Love it or hate it, there is no getting it out of your head. In honor of the late George Michael, let’s take a look at what makes it work.
Cultural hegemony in music education
Music education in American colleges and universities focuses almost entirely on the traditions of Western European aristocrats during the eighteenth and nineteenth centuries, known conventionally as “common practice music.” This focus implies that upper-class European-descended musical tastes are a fundamental truth rather than a set of arbitrary and contingent preferences, and that white cultural dominance …
Artistic citizenship in the age of Trump
Public-facing note taking for Philosophy of Music Education with David Elliott This week I’m reading about the social and ethical responsibilities of artists generally, and musicians and music educators in particular. That topic is especially relevant at the moment. Before we get to the moral philosophy aspect, let’s talk about this performance. Why is it so good? Movies …
Music Matters chapter seven
Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class. This chapter addresses musical meaning and how it emerges out of context. More accurately, it addresses how every musical experience has many meanings that emerge from many contexts. Elliott and Silverman begin with the meanings of performance, before moving …
The title of this book is everything wrong with music education
This is a widely used college level music theory textbook. Remember, kids, to be a complete musician, all you need to know is the most formal version of the harmonic preferences of aristocratic Western Europeans in the eighteenth and early nineteenth centuries. Read a longer, more nuanced critique of this book here.
Music Matters chapter six
Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class. It seems obvious that the point of music education is to foster musical understanding. But what is musical understanding, exactly? Where and how do we learn and teach it? On an emotional level, people seem to understand music just fine …
Music Matters chapter nine
Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class. Research into music psychology (and simply attending to your own experience, and to common sense) shows that music arouses emotions. However, there is no conclusive way to explain why or how. To make things more complicated, it’s perfectly possible to perceive an emotion in …