Groove harmony

See also a study of groove melody Chords work differently in grooves than they do in songs and linear compositions. In his book Everyday Tonality, Philip Tagg proposes that chords in loops are mainly there to signpost locations in the meter. By his theory, the metrical location of a chord matters more than its harmonic …

The Roots, “Don’t See Us”

I advocate for the study of hip-hop because it shows that harmony is not the only aspect of music worth studying. However, hip-hop is also underappreciated as a source of harmonic ideas in and of itself. The Roots’ “Don’t See Us” is a fascinating example of groove harmony. The live version has an amazing acapella …

The Roots – “The Lesson Part III (It’s Over Now)”

This is my favorite song by the Roots, and one of my favorite songs by anyone ever. I got curious about it the last time it came up in iTunes shuffle, and did some searching. I was surprised to find out that, so far as I can tell, no one has ever written anything about …

Thelonius

If, like me, you are a Thelonious Monk fan, you will be sad to learn that this song has very little to do with Thelonious Monk. J Dilla compares his greatness as an emcee to Monk’s greatness as a pianist, and “Thelonious” kind of rhymes with “microphonist.” That’s the extent of the connection. Regardless, “Thelonius” …

Transcribing Kendrick Lamar

There is a lot going on in “DUCKWORTH”, between the story, the samples, and the production. I’m just focused on Kendrick’s flow for now, but there is a mountain of musicological study to be done with the other aspects of the song, and how the song relates to the rest of the album. Check out …

Transcribing Missy Elliott

As a kid growing up in New York City in the 80s, I loved rap, especially Run-DMC. In my teens, I moved away from it under the pressure of my rockist peers and other white nonsense. I found my way back into rap fandom as an adult, thanks in large part to Missy Elliott’s music …

Transcribing Noname

Having transcribed verses by KRS-One and Lil’ Kim, I wanted to take on something more current. I decided to do Noname‘s haunting neo-soul-infused song “Don’t Forget About Me.” The song evokes D’Angelo, and calls him out by name. In some ways, this Noname track was an easier transcription project than the verses by KRS-One or …

Transcribing Lil’ Kim

Toni Blackman recommends a rap writing exercise: take an existing flow and replace the lyrics with your own. In order to do this with my music education students in the spring, I’m going to provide them with notated transcriptions as well as recordings. I’ve transcribed a couple of Toni’s recommended verses. The first was KRS-One’s …

What is going on in this Noname beat?

Hip-hop in the post-Dilla era has been pushing the boundaries of rhythmic dissonance. The coolest and most mysterious groove I’ve heard in a rap song lately is “Sunny Duet” by Noname. The rhythms here are bananas and I struggled for quite a while to figure out what was going on. I got very excited for …

Transcribing KRS-One

In my most recent dissertation interview with Toni Blackman, I asked how a non-rapper like me might approach rap songwriting with music education students. The best approach, of course, would be to just invite Toni herself to come in and teach it, but I wanted suggestions for what to do when that’s not possible. She …