This week in Fundamentals of Western Music class at the New School, we did an in-class improvisation exercise, where students created spur-of-the-moment scores to scenes from No Country for Old Men. I did this in response to being told by a faculty evaluator that I should have more music-making during class, a suggestion I strongly …
Continue reading “Live scoring with No Country for Old Men: update”
My New School class was recently observed by another faculty member. She suggested that I have the students do more music-making during class (currently they make lots of music, just outside of class.) I like this idea. So my plan is to do a live film scoring exercise using No Country For Old Men by …
Continue reading “Live film scoring with No Country For Old Men”
Here’s a Charlie Parker recording that’s not widely known outside of jazz, but is absolutely foundational inside it: This recording features a very young Miles Davis on trumpet. Miles later said that he wrote the tune, and that its copyright attribution to Charlie Parker was a record label error. I believe him. It sounds more …
I love Thelonious Monk more than just about any other musician in history. I enjoy learning and playing his tunes on the guitar, where they tend to sit well. I’m especially proud of my solo guitar arrangement of “Crepuscule with Nellie.” A jazz guitarist named Miles Okazaki, who is enormously better than me, also enjoys …
Toni Blackman is one of the three hip-hop educators I’m studying for my dissertation. She teaches freestyle rap as a way to build authentic confidence, and she gave a talk and a workshop on the subject at Ableton’s 2018 Loop Summit. Ableton recently posted the video of Toni’s talk. She concludes it with a freestyle, …
Continue reading “Toni Blackman on the wisdom of the cypher”
Toni Blackman‘s hip-hop education practice resembles music therapy as much as it does traditional music teaching, so it makes perfect sense that she would release a hip-hop meditation album. I did a remix of my favorite parts for my dissertation mixtape: Toni argues that freestyling builds authentic confidence that comes from the soul, and that …
I’m currently working with Techrow Fund to develop an afterschool music technology program called The Producer Club. We’re doing the pilot program at New Design Middle School in Harlem with a group each of sixth graders, seventh graders, and eighth graders. Techrow had approached me to teach, but I suggested that, rather than hiring a middle-aged …
I’m recently home from Ableton’s stupendous “summit for music makers,” and I’m still mentally unpacking it all. Loop was quite a different experience from last year, when Ableton held it in their home city of Berlin. This year, they moved it to Los Angeles to make it easier for people in Latin America and the …
I’m interested in a particular kind of pop song: mainstream-ish tracks that are so minimal in their melodic or lyrical content that they barely qualify as “songs,” yet manage to still be musically compelling. My paradigmatic examples: “That’s The Way (I Like It)” by KC and the Sunshine Band “Around The World” by Daft Punk …
One of my projects for this summer is to realize my decades-old ambition to learn how to scratch. I borrowed a Korg Kaoss DJ controller from a friend, downloaded Serato, and have been fumbling with it for a week now. The Kaoss DJ leaves much to be desired. The built-in Kaoss Pad is cool, but otherwise …
