Like harmony, melody works differently in grooves than it does in linear songs or Western classical compositions. In this post, I try to figure out what makes a good groove melody, and how to write one. Update: Joshua Horowitz made an interactive animation of this image! It’s so cool.
Tag Archives: hip-hop
Groove harmony
See also a study of groove melody Chords work differently in grooves than they do in songs and linear compositions. In his book Everyday Tonality, Philip Tagg proposes that chords in loops are mainly there to signpost locations in the meter. By his theory, the metrical location of a chord matters more than its harmonic …
The Roots, “Don’t See Us”
I advocate for the study of hip-hop because it shows that harmony is not the only aspect of music worth studying. However, hip-hop is also underappreciated as a source of harmonic ideas in and of itself. The Roots’ “Don’t See Us” is a fascinating example of groove harmony. The live version has an amazing acapella …
The Roots – “The Lesson Part III (It’s Over Now)”
This is my favorite song by the Roots, and one of my favorite songs by anyone ever. I got curious about it the last time it came up in iTunes shuffle, and did some searching. I was surprised to find out that, so far as I can tell, no one has ever written anything about …
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Thelonius
If, like me, you are a Thelonious Monk fan, you will be sad to learn that this song has very little to do with Thelonious Monk. J Dilla compares his greatness as an emcee to Monk’s greatness as a pianist, and “Thelonious” kind of rhymes with “microphonist.” That’s the extent of the connection. Regardless, “Thelonius” …
Songs vs Grooves
Anne Danielsen’s book Presence and Pleasure: The Funk Grooves of James Brown and Parliament is one of my favorite works of musicology. In the book, Danielsen distinguishes between songs and grooves. “Yesterday” by the Beatles is a song. “The Payback” by James Brown is a groove. In structural terms, a groove is a small musical …
Transcribing Kendrick Lamar
There is a lot going on in “DUCKWORTH”, between the story, the samples, and the production. I’m just focused on Kendrick’s flow for now, but there is a mountain of musicological study to be done with the other aspects of the song, and how the song relates to the rest of the album. Check out …
Transcribing Missy Elliott
As a kid growing up in New York City in the 80s, I loved rap, especially Run-DMC. In my teens, I moved away from it under the pressure of my rockist peers and other white nonsense. I found my way back into rap fandom as an adult, thanks in large part to Missy Elliott’s music …
So What
If you have never listened to jazz before, Miles Davis’ Kind Of Blue is a great place to start. If you’re an obsessive jazz fan like me, it never gets old. The heart of the album is its first track, “So What.” Even before you press play, there’s a world of meaning in that title. …
Transcribing Noname
Having transcribed verses by KRS-One and Lil’ Kim, I wanted to take on something more current. I decided to do Noname‘s haunting neo-soul-infused song “Don’t Forget About Me.” The song evokes D’Angelo, and calls him out by name. In some ways, this Noname track was an easier transcription project than the verses by KRS-One or …