I just completed a batch of new music, which was improvised freely in the studio and then later shaped into structured tracks. https://soundcloud.com/ethanhein/sets/tabla-breakbeat-science I thought it would be helpful to document the process behind this music, for a couple of reasons. First of all, I expect to be teaching this kind of production a lot …
Continue reading “Composing improvisationally with Ableton Live”
My new studio band has an album nearing completion. It’s called Music Information Retrieval, because our studio time was sponsored by NYU’s Music and Audio Research Lab — we contributed to a database of multitracks that will be used for music informatics research. We made our DJ debut over the weekend at the Rubin Museum, …
Continue reading “Tabla Breakbeat Science is dropping an album”
Musical repetition has become a repeating theme of this blog. Seems appropriate, right? This post looks at a book by Elizabeth Hellmuth Margulis, called On Repeat: How Music Plays The Mind. It investigates the reasons why we love repetition in music. You can also read long excerpts at Aeon Magazine. Here’s the nub of Margulis’ …
Update: we’re working on an album. Listen to it here. Last semester I did a project for my psychology of music class that studied the way people clap to funk/dance music. I was testing to see whether my subjects knew to clap on the backbeats or not. I didn’t give them any prompting as to …
Quora user Jennifer Ha asked me: What is your process of composing music? She goes on: For me I have to wait for the right inspiration given to me very irregularly. But it seems others can compose with chords deliberately. How do you compose, and do you feel proud of it all the times (i.e. know …
Can the computer be an improvisation partner? Can it generate musical ideas of its own in real time that aren’t the product of random number generators or nonsensical Markov chains? In Joel Chadabe‘s “Settings For Spirituals,” he uses pitch-tracking to perform various effects on a recording of a singer: pitch shifting, chorus, reverb. The result …
Update: I now have a functioning prototype of my app. If you’d like to try it, get in touch. My NYU masters thesis is a drum programming tutorial system for beginner musicians. It uses a novel circular interface for displaying the drum patterns. This presentation explains the project’s goals, motivations and scholarly background. If you …
Continue reading “The radial drum machine: background and inspiration”
For my final project in Advanced Audio Production at NYU, I created a 5.1 surround remix of the Beatles’ “Here Comes The Sun.” You can download it here. If you don’t have surround playback, you can listen to the stereo version: I was motivated to create a surround remix of a Beatles song by hearing …
Continue reading “Remixing “Here Comes The Sun” in 5.1 Surround”
Here’s a presentation I gave at the December 2012 Advanced Ableton User Meetup at Tekserve, hosted by Hank Shocklee of Public Enemy. I speak about how useful Ableton Live is as a music teaching tool, using Gnarls Barkley’s “Crazy” as an example. Very shortly after I concluded my talk, my wife went into labor with …
This past November, I had the privilege of performing in the fourth Disquiet Junto concert of 2012 in the apexart gallery.
