The most fun Music Technology class I’m taking this semester is Advanced Audio Production with Paul Geluso. A major component of the class is learning how to listen analytically, and to that end, we were assigned to pick a song and do an exhaustive study of its sonic qualities. We used methods from William Moylan’s …
Continue reading “Sonic analysis of “Tightrope” by Janelle Monáe”
On November 1st, I’ll be presenting strategies for using Ableton as a music teaching tool at the Ableton Advanced Users Meetup sponsored by Shocklee Interactive and Tekserve. The lineup also includes AfroDJMac, Brian Jackson, Ben Casey, Thomas Piper, DVS and DJ Juice E. Be there!
How do you write out a pop, rock or dance song? There’s no single standard method. Some musicians use standard Western notation. Some use lyric sheets and do everything else by ear. Many of us use methods that fall somewhere in between. One such compromise system in widespread use is the lead sheet: Other systems …
Update: one of the photos below currently appears on Mort’s Wikipedia page. Pretty cool. The seminar I’ve been taking with Morton Subotnick is sadly drawing to a close. As part of the end of the semester, we were invited to Professor Subotnick’s home studio, a few blocks from NYU, to get a demonstration of the …
This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it …
Saville, Kirt. Strategies for Using Repetition as a Powerful Teaching Tool. Music Educators Journal, 2011 98: 69 When a student brings a recorded song to me that they want to learn, the first thing I do is load it into Ableton and mark off the different sections with a simple color-coding scheme: blue for verses, …
I’m doing a ton of writing for grad school, and will be posting the highlights here. First off, an abstract and discussion of this article: Katie Wilkie, Simon Holland, and Paul Mulholland. Winter, 2010. What Can The Language Of Musicians Tell Us About Music Interaction Design? Computer Music Journal, Vol. 34, No. 4, Pages 34-48 …
The best remix/mashup tool that I’ve used is Ableton Live. For many years I used a combination of Recycle, Reason and Pro Tools, which was cumbersome and labor-intensive. Ableton handles the same tasks more easily and has a bunch of cool effects the other programs don’t.
Girl Talk doesn’t actually isolate sounds; it’s almost impossible to do that. You can use EQ to quiet background sounds to a limited extent, but there’s no way to perfectly isolate sounds from a mixed track. Girl Talk and other mashup artists rely heavily on a capellas (vocal-only mixes) and instrumentals, which are included with …
Continue reading “How do you isolate samples like Girl Talk?”
If you’ve been following my internet presence, you know how much I love flowcharts. So naturally, I was amused by this Randall Munroe cartoon: I was reminded of it walking down the street the other day, because someone in our neighborhood in Brooklyn was blasting a dancehall track from their car that sampled the “na, …
