We all love This Is Spin̈al Tap, but you’re not supposed to take it literally. Nevertheless, this very silly Rolling Stone article tries to prove Nigel right. The author is a doctoral student in quantitative methods. She should probably have asked a music theorist about this before publishing it, or really any musical person. I …
Continue reading “No, Rolling Stone, D minor is not the saddest of all keys”
Garrett Schumann posted on Twitter about Luigi Boccherini‘s String Quintet in E major, Op 11 No 5, one of the great one-hit wonders of the Western canon. I didn’t recognize the title and composer, but the music itself was instantly familiar to me as a film score cliche signifying classiness. When I posted that observation, …
When I cover dynamics and loudness in music theory class, I only spend a small part of the time talking about forte/piano, crescendo/diminuendo and so on. Once you have the Italian translations, those terms are self-explanatory. They are also frustratingly subjective, and they refer only to unamplified acoustic music. To understand dynamics in the present …
There’s a broad diversity of harmonic practices being used out there in the world of blues-based popular music, rock in particular. While a given song may not use a lot of scales and chords, the relationships between those scales and chords is rarely simple or obvious. You really just need to learn all of them. …
Continue reading “How the heck do you know what scale you’re supposed to use for lead guitar?”
