The most fun Music Technology class I’m taking this semester is Advanced Audio Production with Paul Geluso. A major component of the class is learning how to listen analytically, and to that end, we were assigned to pick a song and do an exhaustive study of its sonic qualities. We used methods from William Moylan’s [...]
Filed in Composition, Music, Recording
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Also tagged ableton, analysis, attention, big boi, funk, hip-hop, janelle monae, melodyne, Music Theory, nyu, omnigraffle, paul geluso, production, r&b, Recording, visualization
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There’s no single standard method for notating pop, rock and dance songs. Some musicians write everything out in standard western notation; some don’t write anything down at all; many fall somewhere in between. One such compromise system in widespread use is the lead sheet: Other systems for song documentation include chord charts and the Nashville [...]
Filed in Composition, Music
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Also tagged ableton, beatles, carly rae jepsen, dance, diana ross, disco, eric b & rakim, funk, hip-hop, nile rodgers, pop, rock, song structure, songwriting, visualization
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The first time I heard Manu Dibango’s “Soul Makossa” was courtesy of Motorcycle Guy, a prominent Brooklyn eccentric who drives around on a tricked-out motorcycle bedecked with lights and equipped with a powerful sound system. I encounter him every so often and he’s always bumping some good funk, soul or R&B. One night, he was [...]
Filed in Composition, Copyright and Authorship, Dance, Key Musicians, Music, Sampling
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Also tagged a tribe called quest, big daddy kane, bjork, boy george, boyz ii men, cameroon, charles hamilton, copyright, dance, david mancuso, digging the crates, duala, eighties, Evolution, fugees, funk, geto boys, jay-z, kanye west, kool moe d, lord tariq and peter gunz, manu dibango, memes, poor righteous teachers, pop, rihanna, songwriting, soul makossa, thriller, will smith
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Thursday, October 20, 2011
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you [...]
Filed in Composition, Dance, Improvisation, Key Musicians, Music, Sampling
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Also tagged 808, art blakey, bass, beatles, black sheep, bootsy collins, charles mingus, daft punk, dance, digable planets, duke ellington, electronica, funk, groove, herbie hancock, hip-hop, james brown, janet jackson, jazz, john coltrane, kanye west, ladysmith black mambazo, looping, miles davis, morphine, paul simon, pop, rock, sequencing, talking heads, teddy riley
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Tuesday, September 27, 2011
The internet has spoken! These are the tracks of mine that you like the best, in order of listens. It comes as no surprise to me that three of them involve Michael Jackson, and two involve the Beatles. Wanna Be Startin’ Something megamix by ethanhein Bitter Sweet Symphony Megamix by ethanhein Human Nature Megamix by [...]
The defining musical experience of my lifetime is hearing familiar samples in unfamiliar contexts. For me, the experience is usually a thrill. For a lot of people, the experience makes them angry. Using recognizable samples necessarily means having an emotional conversation with everyone who already has an attachment to the original recording. Music is about [...]
Filed in Emotion, Evolution, Music, Sampling
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Also tagged beatles, beyonce, chi-lites, elvin jones, Evolution, grateful dead, jay-z, john coltrane, manu dibango, mashups, memes, monkeysphere, pop, radiohead, remixes, sample maps, Sampling, sarah mclachlan, soul makossa, susan blackmore, tribe, zap mama
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Saturday, February 26, 2011
This week I’ve been all about Kanye West’s “Lost In The World,” the most gripping track on My Beautiful Dark Twisted Fantasy. Kanye is one of the few commercial producers with a high enough profile to be able to license whatever samples he wants, so he carries the banner of memetastic collage-based music in the [...]
Filed in Composition, Music, Sampling
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Also tagged autotune, bon iver, chipmunking, gil scott-heron, james brown, jamie foxx, kanye west, lyn collins, manu dibango, Sampling, singing
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Friday, December 17, 2010
I’ve always been more of a Beatles guy than a Stones guy, but respect where respect is due, “Gimme Shelter” is a classic. It’s on my mind because Dangerous Minds posted the isolated tracks, and they’re a lot of fun. It’s fascinating to hear the separated vocals, guitars, bass and drums. The Youtube videos containing [...]
Filed in Music, Recording, Video Games
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Also tagged audio editing, guitar, keith richards, merry clayton, Recording, remixes, rhythm, rock, rolling stones, Sampling, singing, sixties, tuning
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Sunday, November 28, 2010
We conventionally place a high value on originality in music. But it’s been my experience that the desire for originality gets in the way of making music that’s actually good. The closer you are to your influences, the more definite and truthful your work is. The key to quality music is to blend together an [...]
Filed in Composition, Copyright and Authorship, Evolution, Music, Music Business, Politics, Recording, Sampling
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Also tagged academia, beach boys, beatles, biology, biz markie, chuck berry, copyright, creative commons, Evolution, hall and oates, led zeppelin, marcus boon, memes, Sampling
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Wednesday, November 10, 2010
I’ve picked up some new guitar students lately, so I’m once again doing a lot of explaining what a tritone is and why people should care. Whenever I find myself explaining something a lot, I like to encapsulate it as a blog post. So here we go. A tritone is the interval between the notes [...]
Filed in Emotion, Math, Music, Music Theory
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Also tagged blues, busta rhymes, chords, irrational numbers, Math, melodic minor, miles davis, Music Theory, psychology, scales, simpsons, sonny rollins, stevie wonder, thelonious monk, tritones
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