This is an exciting week of class for me, because we are analyzing blues melodies, and that is a music-theoretic subject that is close to my heart. Given its impact on the past hundred years of Anglo-American popular culture, the blues has been the subject of a shockingly small amount of musicological analysis. The best …
Tag Archives: Aretha Franklin
Identifying melodic motives
Motivic development is more of a classical music thing than a rock/pop thing. If you want to hear a motive carried through a series of elaborations and variations, you should look to Beethoven rather than the Beatles. Pop songs are a few riffs, repeated or strung together. But there are some songs out there whose …
Identifying I, IV and V chords
The I, IV and V chords are beginner-level music theory concepts. However, in my pop-oriented aural skills class, we are covering them in the context of the blues, where they are more complicated than they are in the standard tonal theory context. Let’s begin with a review of the basic I, IV and V from …
Baby, I Love You
I continue to be severely stressed out about the state of America and the world, and I continue to reach to Aretha Franklin for emotional support. This week I soothed myself by studying “Baby, I Love You” from her 1967 album Aretha Arrives. The song is by Ronnie Shannon, who also wrote “I Never Loved …
Rock Steady
I need a lot of reassurance that things are going to be okay. This Aretha Franklin groove reliably does the job for me. I say “groove” and not “song”, because while “Rock Steady” does have a minimal song structure, it’s all in support of helping you dance. The musicians on this track represent the gold …
I Heard It Through The Grapevine
My first exposure to Marvin Gaye’s recording of “I Heard It Through the Grapevine” was on the Big Chill soundtrack, which my baby boomer parents kept in heavy rotation. Here’s a live version. Nobody wore a glittery tux like Marvin Gaye.
Blues harmony primer
For a more detailed and scholarly version of this guide with a bibliography, see my Blues Tonality treatise. How do chords and scales work in the blues? Is there a “blues scale”, and if so, what notes does it include? What are blue notes? Why does it sound good to play minor melody notes over …
Betty Davis and the blues sus4
I heard this Betty Davis song while I was doing a shift at the Park Slope Food Coop and the guitar riff grabbed my ears. In this post, I explain why, and what the riff can tell us about blues harmony. First of all: is this music blues? You might argue that it’s a funk …
V7-I cadences as harmonic whiteness
If you study music theory in a typical school setting, you might get the idea that the V-I cadence is the fundamental cornerstone of all harmony, or at least, of all “Western” harmony. In a standard theory course, V-I is the first chord progression that you study, and for several weeks or months, it may …
Chain of Fools
“Chain of Fools” by Aretha Franklin is a song I loved for many years just for listening and enjoying, but then I started to love it even more as a music theory teaching example. It’s emblematic of blues tonality, one-chord changes, and groove structure. The released version is edited down from its original arrangement, which …