Cultural hegemony in music education

Music education in American colleges and universities focuses almost entirely on the traditions of Western European aristocrats during the eighteenth and nineteenth centuries, known conventionally as “common practice music.” This focus implies that upper-class European-descended musical tastes are a fundamental truth rather than a set of arbitrary and contingent preferences, and that white cultural dominance …

Despite the Best Intentions

Note-taking for Learning of Culture with Lisa Stulberg The final reading for Learning of Culture is Despite the Best Intentions: How Racial Inequality Thrives in Good Schools by Amanda Lewis and John Diamond.

Making better citizens through dance

Public-facing note-taking for Philosophy of Music Education with David Elliott This week, I’m taking a look at two chapters from a new book on the red-hot topic of artistic citizenship, the social responsibility of artists and arts educators.

High school masculinity

Note-taking for Learning of Culture with Lisa Stulberg This week’s reading was C. J. Pascoe’s riveting study, Dude, You’re a Fag: Masculinity and Sexuality in High School. If you’re at all interested in gender, or the culture of schools, it’s a must-read.

The title of this book is everything wrong with music education

This is a widely used college level music theory textbook. Remember, kids, to be a complete musician, all you need to know is the most formal version of the harmonic preferences of aristocratic Western Europeans in the eighteenth and early nineteenth centuries. Read a longer, more nuanced critique of this book here.

The Protestant Work Ethic and the Spirit of Capitalism

Note-taking for Learning of Culture with Lisa Stulberg Our first reading in the class was Ta-Nehisi Coates. The second one is Max Weber. The transition between their prose styles is like gliding downhill on a bike into a brick wall. Nick Seaver calls it “the 1-2 relatable-canonical punch.” David Foster Wallace likes to tell this parable: There are these …

Between The World And Me

I’m taking a sociology class called Learning Of Culture with Lisa Stulberg. It could just as easily be called Culture Of Learning, since it views school as just one cultural setting among many. Our first assignment was to read Between The World And Me by Ta-Nehisi Coates. I agree with Toni Morrison’s cover blurb. After …

Prepping my rap and rock class at Montclair State

This summer, I’m teaching Cultural Significance of Rap and Rock at Montclair State University. It’s my first time teaching it, and it’s also the first time anyone has taught it completely online. The course is cross-listed under music and African-American studies. Here’s a draft of my syllabus, omitting details of the grading and such. I welcome your questions, comments …

Why do suburban white kids like gangsta rap?

A followup post to White People And Hip-Hop First, a little on my background. I’m not from the suburbs, I’m from New York City. My experience growing up was an odd blend of the city and the suburbs. I lived in a posh little corner of an otherwise pretty tough neighborhood. I attended a very …

Rockism

As a kid, I liked everything: rock, hip-hop, classical, jazz, pop, dance, country, whatever. In my teenage years, however, I succumbed to the pressures of a racist society and turned into a devout rockist. I dutifully renounced pop, disco, techno, even hip-hop, anything that was “inauthentic.” I swallowed the rockist dogma that grants legitimacy to …