For his birthday, Milo got a book called Welcome to the Symphony by Carolyn Sloan. We finally got around to showing it to him recently, and now he’s totally obsessed. The book has buttons along the side which you can press to hear little audio samples. They include each orchestra instrument playing a short Beethoven …
Tag Archives: recording
Space Oddity: from song to track
If you have ever wondered what it is that a music producer does, David Bowie’s “Space Oddity” provides an excellent example. A producer turns this: into this:
Why do people think music should be free?
The best way to get a professional recording artist angry is to say that everybody has a right to download their music for free. The outrage is well-motivated. Recording music at the pro level is expensive, in time as well as money. Just because it’s easy to pirate music, why have we as a society …
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Music in a world of noise pollution
One of the great privileges of working at NYU is having access to the state-of-the-art Dolan Studio. Listening to music on top-end Lipinskis through an SSL console in a control room designed by Philippe Starck is the most exquisite audio experience I’ve ever had, and likely will ever have. Unfortunately, it’s also very far removed …
A history of pop production in three tracks
Earlier this spring, I subbed for Adam Bell‘s Music Technology 101 class at Montclair State. His sections were populated more exclusively with classical conservatory kids than mine, so for my one-shot lesson, I figured I’d talk them through some items from my illicit collection of multitrack stems, and give them a sense of the history …
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Were the Beatles great musicians?
Most of us agree that the Beatles made great music. But some people don’t believe the Beatles to have been especially good musicians. Quincy Jones famously called them “the worst musicians in the world.” He’s exaggerating, but he has a point. By modern standards, the playing on Beatles records is sloppy. The parts are interesting …
Booking me for workshops
I want to expand my private teaching and speaking practice. If you were to book me for a workshop or seminar, what would you want it to be about? Music production? Intellectual property and authorship? Music and math? Music and science? Music pedagogy? Improvisation and flow, both in music and in life generally? Something else? …
Sampling composers
Morey, J., & McIntyre, P. (2014). The Creative Studio Practice of Contemporary Dance Music Sampling Composers. Dancecult, 6(1), 41–60. There is so much to love about this paper, starting with the title. You can read it the way it was intended, that dance music producers are composers. Or you can creatively misread it to mean …
The poetics of rock
I’m teaching at Montclair State University because of Adam Bell, a fellow self-taught rock and pop musician turned academic. Adam loves to quote The Poetics of Rock by Albin Zak, and rightly so. Zak’s major point is that rock is an art form about making records, and that the creativity in making records is only …
Mixing “Call Me Maybe”
Sound On Sound magazine ran this highly detailed account of mixing the inescapable summer jam of 2012. It’s the most thorough explanation of a contemporary pop song’s mix process that I’ve ever read. The specifics of the gear and the plugins are interesting, but the main takeaway is just how complex and nuanced the soundscape …