Adam Bell evaluates my teaching

Adam Bell is a fellow pop musician turned academic, and he hired me to teach at Montclair State University. He recently offered to observe my teaching; here’s what he found. Teaching Observation of Ethan Hein – MUTC-101: Introduction to Music Technology As the students began to trickle into the music technology lab and power up …

The saddest chord progression ever

See also the happiest chord progression ever. The short-lived Russian composer Vasily Kalinnikov is best known (to the extent he’s known at all) for this piece of music: If you listen to this piece at 6:16, there’s a particularly beautiful and tragic chord progression. It’s in the key of E-flat, but I transposed it into C …

How to write a pop song

My students are currently hard at work writing pop songs, many of them for the first time. For their benefit, and for yours, I thought I’d write out a beginner’s guide to contemporary songwriting. First, some points of clarification: This post only talks about the instrumental portion of the song, known as the track. I …

Killen and Marotta

Participants in Play With Your Music were recently treated to an in-depth interview with two Peter Gabriel collaborators, engineer Kevin Killen and drummer Jerry Marotta. Both are highly accomplished music pros with a staggering breadth of experience between them. You can watch the interview here: Kevin Killen engineered So and several subsequent Peter Gabriel albums. …

Why is “Let It Go” such a big deal?

Anna posed this question, and I think it’s an excellent one: What is up with “Let It Go” and little girls? Why is this song such a blockbuster among the pre-K set? How did it jump the gap from presentational to participatory music? Is it the movie, or the song itself? In case you never …

Announcing the Peter Gabriel edition of Play With Your Music

You may have noticed a lot of writing about Peter Gabriel on the blog lately. This is because I’ve been hard at work with Alex Ruthmann, the NYU MusEDLab, and the crack team at Peer To Peer University on a brand new online class that uses some of Peter’s eighties classics to teach audio production. …

Marc Weidenbaum on remixes

There’s an interview on the Creative Commons blog with Disquiet Junto instigator and Aphex Twin historian Marc Weidenbaum. It’s full of his usual keen insight. Here are some key quotes.

Recording Peter Gabriel’s Security

This post was originally written for the Play With Your Music blog. Also be sure to check out our interview with engineer Kevin Killen and drummer Jerry Marotta. Peter Gabriel’s songwriting and recording process in the early 1980s was unusual for its technological sophistication, playfulness and reliance on improvisation. While Peter was considered avant-garde back …

Everyone can and should be making music

I have a strongly held belief about musical talent: there is no such thing. Every neurotypical human is born with the ability to learn music, the same way the vast majority of us are born with the ability to learn to walk and talk. We still have to do the learning, though; otherwise the capacity …

The Red Hot Chili Peppers unplugged

In case you don’t pay attention to such things, there’s a miniature scandal swirling around the Red Hot Chili Peppers’ performance at the Super Bowl halftime show. Close examination of the footage reveals that the bass and guitar weren’t plugged in. Flea, the Peppers’ bassist, came forward and admitted that they used a pre-recorded track, …