Garrett Schumann posted on Twitter about Luigi Boccherini‘s String Quintet in E major, Op 11 No 5, one of the great one-hit wonders of the Western canon. I didn’t recognize the title and composer, but the music itself was instantly familiar to me as a film score cliche signifying classiness. When I posted that observation, …
Tag Archives: classical music
Let’s argue about this one weird chord in the Brahms Intermezzo in B-flat minor
I have some aspirations in music theory pedagogy, and toward that end, I’m learning more about Schenkerian analysis. If I’m going to resist it, I should at least be conversant in the thing I’m resisting, right? So I’ve been reading Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form by David Beach. One of his …
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Glenn Gould wanted me to make this remix
Glenn Gould thought people should make their own edits of classical recordings. He explains this idea in greater depth here. I read it and thought, challenge accepted!
Classical music as ancient alien power source
Classical music is both familiar and strange to me. My parents played classical radio constantly when I was growing up, and I have primal memories of Robert J Lurtsema intoning “This… is Morning… Pro Musica… on National… Public… Radio.” My dad in particular was a huge opera buff, with a floor-to-ceiling collection of tapes and …
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Bach Chaconne – Gimme the Lute mix
While investigating the Bach Chaconne, I found this beautiful lute performance by Hopkinson Smith. It’s enlightening to compare Smith’s performance to Moran Wasser playing the Chaconne on 11-string guitar. The lute is less bright and resonant than guitar, but I like Smith’s playing better, he’s not as melodramatic. I couldn’t find any video of him playing …
Scales, keys and modes on the circle of fifths
If you want to understand Western music theory, the circle of fifths is an invaluable tool. For one thing, it can help you understand how key signatures work. But it also helps explain how the major scale and diatonic modes relate to each other, and gives a possible explanation for why they sound good. Here’s …
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Remixing Mozart’s Piano Concerto No. 21 – Andante
Mozart is mostly not to my taste, but there is no denying that the man could write a melody. My favorite melody of his is the one from the second movement of his Piano Concerto No. 21 in C major. I like Daniel Barenboim’s interpretation the best; everyone else plays it too fast for me. …
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Chord progressions in the Bach Chaconne
Recently I have been digging deep into the Bach Chaconne. Since I’m a poor music reader, I’ve been using Ableton Live to remix, loop, and analyze the piece, both in audio and MIDI form. It’s working! The structure of the Chaconne makes sense to me now when I hear it, and I’m learning to play …
How do key signatures work?
Most of my students struggle with key signatures. This is understandable! Like the rest of the Western notation system, key signatures are based on a big assumption: that all of the notes will be within one of the twelve major keys, or within some scale that can be derived from a major scale (most often, …
Bach’s Suite for Solo Cello No. 1 – Prelude
I’m teaching melody in music theory class this month, and nobody wrote better melodies than Bach. If you want to learn how to use single note lines to imply chord changes and counterpoint, the prelude to his first cello suite is a whole textbook worth of wisdom for you. My favorite interpretation is by Mstislav …
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