Imagine you’re a parent with a young kid, and you’re hearing all these stories about vaccines and autism. Who do you trust?
Continue reading “Why do fake rumors such as vaccines causing child autism work?”
Is Dan Savage’s internet campaign against Rick Santorum moral?
Oh my, yes.
From Rick Santorum’s Wikipedia entry:
A controversy arose following Santorum’s statements about homosexuality in an interview with the Associated Press that was published on April 20, 2003. In response to a question about how to prevent sexual abuse of children by priests, Santorum said the priests were engaged in “a basic homosexual relationship”, and went on to say that he had “[…] no problem with homosexuality. I have a problem with homosexual acts”; that the right to privacy, as detailed in Griswold v. Connecticut, “doesn’t exist in my opinion in the United States Constitution”; that, “whether it’s polygamy, whether it’s adultery, whether it’s sodomy, all of those things are antithetical to a healthy, stable, traditional family”; and that sodomy laws properly exist to prevent acts that “undermine the basic tenets of our society and the family”. When the Associated Press reporter asked whether homosexuals should not then engage in homosexual acts, Santorum replied, “Every society in the history of man has upheld the institution of marriage as a bond between a man and a woman. Why? Because society is based on one thing: that society is based on the future of the society. And that’s what? Children. Monogamous relationships. In every society, the definition of marriage has not ever to my knowledge included homosexuality. That’s not to pick on homosexuality. It’s not, you know, man on child, man on dog, or whatever the case may be. It is one thing. And when you destroy that you have a dramatic impact on the quality”.
Rick Santorum is guilty of hate speech. In a perfect world, Dan Savage would have addressed Santorum’s ignorance and bigotry in a loving, Gandhi-esque fashion, but I give Savage credit for creativity and effectiveness. His Google bombing campaign might be juvenile and vengeful in tone, but he’s fighting speech with speech in an exceptionally clever way, and has drawn a lot of attention to a worthy cause. What’s more moral than protesting hate speech nonviolently?
Continue reading “Is Dan Savage’s internet campaign against Rick Santorum moral?”
What are some possible innovations for Delicious going forward?
This is a melancholy topic for me. There was a time when my Delicious network feed was the first site I looked at in the morning, my favorite source of news and serendipitous new knowledge, and the primary repository for my short-form writing. Now I barely ever use it.
I started out using Delicious for its intended purpose, bookmarking. Then I discovered that between the tags and the notes field, it was a spectacular notetaking tool. Over time, I built up a network of around a hundred other people. My Delicious use became 10% archiving and annotating links I planned to refer to later, and 90% social linkblogging. The experience became almost Quora-like.
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Kid-friendly hip-hop recommendations
Good bets in general:
- De La Soul
- Biz Markie
- Eric B and Rakim
- DJ Jazzy Jeff and the Fresh Prince
- Everything before 1985 (Sugarhill Gang, Spoonie G, Treacherous 3, Grandmaster Flash, Fab Five Freddy)
- Current pop radio hits aimed at pre-teens are usually fine for little kids too, ie Willow Smith, Black Eyed Peas etc, though these may get on your nerves
- Instrumentals — I especially recommend J Dilla and 9th Wonder
Here are all the hip-hop tracks in my collection that I can certify to be kid-friendly, profanity-free, and most importantly, good music! Continue reading “Kid-friendly hip-hop recommendations”
Why does listening to music sometimes make you feel high?
I’ve been lucky enough to experience heightened and altered consciousness from music making, listening and dancing. Chasing that feeling motivates me to keep making and studying music, in spite of the lousy pay.
I’m reading a wonderful book right now by William Benzon called Beethoven’s Anvil. Benzon looks at the state of brain research and uses it to guide conjectures about the evolutionary functions and origins of music. One of his most interesting ideas is that music, at its best, is a kind of waking dream.
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The Amen Break
If you had to name the most influential drummer in contemporary music, who would you pick? If you’re a rock fan, you might go with Ringo Starr, John Bonham, or Keith Moon. A jazz fan might choose Max Roach, Elvin Jones, or Tony Williams. You probably wouldn’t think to name Gregory Cylvester Coleman. But he’s as strong a candidate as anyone.
Coleman was the drummer in a sixties soul band, The Winstons. His claim to fame is a five and a half second break in an obscure song called “Amen, Brother,” the B-side to the minor Winstons hit “Color Him Father.” That doesn’t sound like much of a case for Coleman’s importance. But his short drum break is widely considered to be the most-sampled recording in history, ahead of “The Funky Drummer” and “Apache” and “Cold Sweat” and all the rest of the classic breakbeats.
Here’s “Amen, Brother.” The famous drum break comes at 1:27.
Here’s a visualization I made of the famous break:
What goes on neurologically when a song gets stuck in your head?
The phenomenon of annoyingly persistent earworms is a great introduction to the meme theory: the idea that songs (and all other forms of cultural expression) are self-replicating informational “viruses” that use the mind as their host, the way DNA viruses use living cells and software viruses use computers. The best overview of this theory is Susan Blackmore’s book The Meme Machine.
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Jay-Z and Alan Lomax
Why does folk music collector Alan Lomax have a copyright interest in “Takeover” by Jay-Z?
I learned the answer from Creative License: The Law And Culture Of Digital Sampling by Kembrew McLeod and Peter DiCola. It’s a companion book to the invaluable documentary Copyright Criminals. The story of Jay-Z and Alan Lomax isn’t quite as epic a copyright failure as the Biz Markie lawsuit or the story of “Bitter Sweet Symphony” but it’s still pretty absurd.
How do you know what key you’re in?
It’s hard to figure out what key a piece of music is in. There are a lot of conflicting answers from different music theory texts. To make matters worse, it’s not at all unusual for a song to change keys, even within a section or phrase. Even rock songs written by totally naive songwriters can be full of key changes. So a lot of the time, you aren’t trying to figure out the key for the entire song; you’re figuring out keys for particular passages.
The good news is that while figuring out keys is complex, it’s not impossible. Before you can do it, you need to know what all the possibilities are, and you need some tools to help you in your analysis. I’m assuming here that you don’t have sheet music of the tune you’re trying to figure out, but you do have an audio recording. You’ll want a program that can loop and slow down different sections. I recommend Transcribe for this purpose. Audio editing tools like Ableton Live and Pro Tools work too.
Continue reading “How do you know what key you’re in?”
Samples and community
The defining musical experience of my lifetime is hearing familiar samples in unfamiliar contexts. For me, the experience is usually a thrill. For a lot of people, the experience makes them angry. Using recognizable samples necessarily means having an emotional conversation with everyone who already has an attachment to the original recording. Music is about connecting with other people. Sampling, like its predecessors quoting and referencing, is a powerful connection method.