Improvisation in music games

Joshua Pablo Rosenstock. Free Play Meets Gameplay: iGotBand, a Video Game for Improvisers. Leonardo Music Journal, Vol. 20, pp. 11–15, 2010. Guitar Hero, Rock Band and games like them have done a wonderful service to non-musicians. The games give a good sense of what playing an instrument in a band is like. The interface is …

The post-fidelity era

Guberman, Daniel. Post-Fidelity: A New Age of Music Consumption and Technological Innovation. Journal of Popular Music Studies, Volume 23, Issue 4, pp 431–454 Guberman divides the history of recorded music into two distinct sections: the fidelity era, stretching from Thomas Edison through the invention of the compact disk, and the post-fidelity era, beginning with the …

Teaching music with looping

Saville, Kirt. Strategies for Using Repetition as a Powerful Teaching Tool. Music Educators Journal, 2011 98: 69 When a student brings a recorded song to me that they want to learn, the first thing I do is load it into Ableton and mark off the different sections with a simple color-coding scheme: blue for verses, …

That ill tight sound

Chapman, Dale. “That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production. Journal of the Society for American Music (2008) Volume 2, Number 2, pp. 155–175. Chapman examines the impact that Timbaland has had on popular music production, and what his significance is to the broader culture. While Timbaland himself is no longer the …

Beatboxing and mashups are the new folk music

Thompson, Tok. Beatboxing, Mashups, and Cyborg Identity: Folk Music for the Twenty-First Century. Western Folklore, Spring 2011, 71-193. Thompson’s provocative thesis is that folk music of the present is either produced entirely digitally, or is performed with the specific intent of imitating electronic sounds. Furthermore, the oral tradition intrinsic to folk music is now substantially …

Image schemas in music software

I’m doing a ton of writing for grad school, and will be posting the highlights here. First off, an abstract and discussion of this article: Katie Wilkie, Simon Holland, and Paul Mulholland. Winter, 2010. What Can The Language Of Musicians Tell Us About Music Interaction Design? Computer Music Journal, Vol. 34, No. 4, Pages 34-48 …

Who should you follow to keep up to date on digital music trends?

Here are some recommended people to follow on Twitter. Most of them have blogs of various kinds which you can access via their Twitter profiles. For hip-hop, sampling and everything related: Questlove Kevin Nottingham Whosampled Grown Folks Music Wayne Marshall Hank Shocklee Jeff Chang For technology: Deb Chachra Tara Busch Paul Lamere For the highbrow …

How did Cher’s “Believe” come to be the first pop song to use Auto-Tune?

Auto-tune was already a well-established studio tool by the time “Believe” came out, though it was unknown outside the music industry.

Why do people watch music videos, especially tweens and teenagers?

I have a bunch of teenaged cousins, and they do the majority of their music listening on YouTube. They even DJ parties with it using playlists. Anytime they have a choice, they’ll always prefer music with some kind of video accompanying it, even if it’s just a still of the album cover.

How do you learn to remix/mashup songs?

The best remix/mashup tool that I’ve used is Ableton Live. For many years I used a combination of Recycle, Reason and Pro Tools, which was cumbersome and labor-intensive. Ableton handles the same tasks more easily and has a bunch of cool effects the other programs don’t.