Music education in American colleges and universities focuses almost entirely on the traditions of Western European aristocrats during the eighteenth and nineteenth centuries, known conventionally as “common practice music.” This focus implies that upper-class European-descended musical tastes are a fundamental truth rather than a set of arbitrary and contingent preferences, and that white cultural dominance …
Category Archives: Race and Identity
Despite the Best Intentions
Note-taking for Learning of Culture with Lisa Stulberg The final reading for Learning of Culture is Despite the Best Intentions: How Racial Inequality Thrives in Good Schools by Amanda Lewis and John Diamond.
Making better citizens through dance
Public-facing note-taking for Philosophy of Music Education with David Elliott This week, I’m taking a look at two chapters from a new book on the red-hot topic of artistic citizenship, the social responsibility of artists and arts educators.
High school masculinity
Note-taking for Learning of Culture with Lisa Stulberg This week’s reading was C. J. Pascoe’s riveting study, Dude, You’re a Fag: Masculinity and Sexuality in High School. If you’re at all interested in gender, or the culture of schools, it’s a must-read.
Coping strategies
Some thoughts gathered from Twitter this morning: Inspired by Harry Belafonte, we’re reading this Langston Hughes poem in class right now. And listening to the Hamilton Mixtape. The mood in the Park Slope Food Coop this morning was like a New Orleans funeral–multiethnic people talking about genocide to a soundtrack of funky jazz.
Music Matters chapter seven
Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class. This chapter addresses musical meaning and how it emerges out of context. More accurately, it addresses how every musical experience has many meanings that emerge from many contexts. Elliott and Silverman begin with the meanings of performance, before moving …
The title of this book is everything wrong with music education
This is a widely used college level music theory textbook. Remember, kids, to be a complete musician, all you need to know is the most formal version of the harmonic preferences of aristocratic Western Europeans in the eighteenth and early nineteenth centuries. Read a longer, more nuanced critique of this book here.
Music in a capitalist culture
Midterm paper for Learning of Culture with Lisa Stulberg Max Weber locates the roots of capitalism in vestigial puritanical Protestantism. Émile Durkheim, in turn, gives a theory of how that Protestantism arose in the first place. In this paper, I ask two questions. First: can Weber’s and Durkheim’s theories of religion be extended to explain culture …
Music Matters chapter nine
Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class. Research into music psychology (and simply attending to your own experience, and to common sense) shows that music arouses emotions. However, there is no conclusive way to explain why or how. To make things more complicated, it’s perfectly possible to perceive an emotion in …
Music Matters chapter one
This post is public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class.