This post was originally written for the Play With Your Music blog. Also be sure to check out our interview with engineer Kevin Killen and drummer Jerry Marotta. Peter Gabriel’s songwriting and recording process in the early 1980s was unusual for its technological sophistication, playfulness and reliance on improvisation. While Peter was considered avant-garde back …
Category Archives: Race and Identity
Why do suburban white kids like gangsta rap?
A followup post to White People And Hip-Hop First, a little on my background. I’m not from the suburbs, I’m from New York City. My experience growing up was an odd blend of the city and the suburbs. I lived in a posh little corner of an otherwise pretty tough neighborhood. I attended a very …
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Rockism
As a kid, I liked everything: rock, hip-hop, classical, jazz, pop, dance, country, whatever. In my teenage years, however, I succumbed to the pressures of a racist society and turned into a devout rockist. I dutifully renounced pop, disco, techno, even hip-hop, anything that was “inauthentic.” I swallowed the rockist dogma that grants legitimacy to …
Friends don’t let friends clap on one and three
Here’s my final project for NYU’s Psychology of Music class, enjoy. Feel free to download this presentation or the full paper. Friends Don’t Let Friends Clap on One and Three: a Backbeat Clapping Study
The backbeat: a literature review
Part of a study for Psychology of Music at NYU The backbeat is a ubiquitous, almost defining feature of American popular and vernacular music. Clapping or snapping on the backbeats is generally considered by musicians to be more correct than doing so on the strong beats. However, audiences have a tendency to clap or snap on …
Is it boring to play repetitive music?
Quora user Andrew Stein asks: Musicians: How do you deal with playing songs that have very monotonous parts? I’m going to use James Brown’s Sex Machine as an example. Don’t get me wrong, I love the song. However, the rhythm guitar seems to be nothing but 2 chords played over and over and over with …
There’s joy in repetition
Susan McClary “Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture.” in Audio Culture, Daniel Warner, ed, Continuum International Publishing Group, 2004, pp 289 – 298. This essay is the best piece of music writing I’ve read in quite a while. McClary articulates my personal ideology of music perfectly. Also, she quotes Prince! Here …
Graceland
I recently saw Under African Skies, the documentary about Paul Simon’s Graceland, and it was spellbinding. The music is so beautiful, the politics are so agonizing. I watched it with my mom and sister, which is appropriate since Graceland was in heavy rotation through my childhood. Mom isn’t a big pop scholar and knew next …
That ill tight sound
Chapman, Dale. “That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production. Journal of the Society for American Music (2008) Volume 2, Number 2, pp. 155–175. Chapman examines the impact that Timbaland has had on popular music production, and what his significance is to the broader culture. While Timbaland himself is no longer the …
What is the worst aspect of the United States of America?