First, let’s get this out of the way: the title of this post is a joke. No chord progression has any inherent emotional quality. Musical sadness is a matter of cultural convention, and even within a culture or subculture, sadness is the result of harmony interacting with melody, rhythm, tempo, timbre, phrasing, articulation and other …
Continue reading “The saddest chord progression ever (revisited)”
I need a lot of reassurance that things are going to be okay. This Aretha Franklin groove reliably does the job for me. I say “groove” and not “song”, because while “Rock Steady” does have a minimal song structure, it’s all in support of helping you dance. The musicians on this track represent the gold …
One of my favorite rap songs is “The World Is Yours” by Nas from his classic Illmatic, produced by the great Pete Rock. Here’s Tracklib’s sample breakdown:
It’s a cliche to say that the harmonic series is the basis of all of music. It is true that the first five harmonics are the basis of Western tuning. The first seven harmonics are a possible basis for the blues. You don’t tend to hear much music based on the higher harmonics, but they …
Continue reading “I made some music using modes of the harmonic series”
As kids, my siblings and I watched Labyrinth about eight billion times. It has been super gratifying that my own children love the movie too. Together with their separate David Bowie fandom, that has put “As The World Falls Down” into heavy rotation lately. When I was a kid, I didn’t especially love this song, …
I continue to refine my new groove pedagogy method: teach a complicated rhythm by presenting a very simplified version of it, then a less simplified version, then a less simplified version, until you converge on the groove in its full nuance. Imagine a pixelated image gradually gaining resolution. My goal with this is to have …
Herbie Hancock’s band on his classic mid-70s funk albums went on without Herbie as The Headhunters. Their biggest hit, “God Make Me Funky”, has been sampled in several hundred rap songs, and rightly so, it’s an amazing groove.
I’m developing some groove pedagogy for an instrumental method book I’m working on with Heather Fortune. The goal is to help people understand and create Black American vernacular rhythms, specifically blues, rock, funk, dance, and hip-hop. As we started collecting and transcribing grooves, we quickly ran into a problem: all the really good ones use …
David Bowie was a great admirer of John Lennon, and like Lennon, Bowie had the gift of making weird songwriting choices sound natural. You don’t necessarily pick up on the weirdness from casual listening, but then you try to learn a Bowie tune, and it is full of surprises. “Changes” is a case in point. …
St Stephen might be the most “Grateful Dead” of Grateful Dead songs, the one that (for better or worse) sounds the most like them and the most unlike anyone else. It’s a cliche with the Dead to say that the live version is better than the studio version, but in the case of “St Stephen”, …
