Here’s an exciting thing that happened recently. https://twitter.com/olabscott/status/1270192351215005697 I didn’t have an explicitly anti-racist motivation when I started making the remixes, but if they’re being received that way, I’m delighted. In this post, I’m going to do some thinking out loud about what it all means.
Tag Archives: remixing
Chopin’s “Raindrop” Prelude
Let’s get the name out of the way first. Chopin didn’t title the piece “Raindrop,” nor did he give catchy nicknames to any of his other preludes. The names were given later by a fan named Hans von Bülow. Chopin’s actual title of this piece is “12 Préludes, Opus 28 Number 15 in D-Flat Major.” …
Remixing a solo saxophone recording by Catherine Sikora
Many years ago, I played some jazz with Catherine Sikora. She was a fierce and excellent saxophonist then, and her playing has only grown in the time since. In the past few years, Catherine has been releasing a series of albums of solo and duo improvisation. That takes a lot of confidence! Her lines are …
Continue reading “Remixing a solo saxophone recording by Catherine Sikora”
An intro to remixes
One of the most significant developments in the past fifty years of popular music is the idea of using existing recordings as raw material for new musical expression. The remix began as a way to make dance versions of pop songs, but it has evolved into an entire new art medium unto itself.
Clair de Lune
I struggle with the rhythms of rubato-heavy classical pieces, and no one loves rubato more than the Impressionists. When I started listening in earnest to recordings of Debussy’s “Clair de Lune,” I couldn’t even guess the time signature, much less place notes in the bar. This piece is therefore an excellent use case for aural …
Let’s listen to some extremely slowed down Bach
In this stressful time, we all need some help attaining inner peace. I’ve been enjoying listening to and thinking about the prelude to Bach’s Violin Partita Number 3 in E major as played by Hopkinson Smith. Beautiful though this is, it’s also a lot of information packed into a small space. I thought it might …
Continue reading “Let’s listen to some extremely slowed down Bach”
Syncopation in Chopin
I’m trying to get better at understanding classical music, ideally without doing too much Schenkerian analysis. I can hunt for cadences as well as anyone who’s been to music school, and I understand how important they are as structural elements in the Western canon. But there’s more to this music than harmony. It has rhythm …
Glenn Gould wanted me to make this remix
Glenn Gould thought people should make their own edits of classical recordings. He explains this idea in greater depth here. I read it and thought, challenge accepted!
Classical music as ancient alien power source
Classical music is both familiar and strange to me. My parents played classical radio constantly when I was growing up, and I have primal memories of Robert J Lurtsema intoning “This… is Morning… Pro Musica… on National… Public… Radio.” My dad in particular was a huge opera buff, with a floor-to-ceiling collection of tapes and …
Continue reading “Classical music as ancient alien power source”
NYU Music Education Technology Practicum syllabus
This week I begin another iteration of my NYU class, a music technology crash course for future music teachers. Given the vastness of the subject matter and the constraints of a one-semester course, the challenge is always to figure out what to put in and what to leave out. I continue to take a project-based …
Continue reading “NYU Music Education Technology Practicum syllabus”