I just completed a batch of new music, which was improvised freely in the studio and then later shaped into structured tracks. https://soundcloud.com/ethanhein/sets/tabla-breakbeat-science I thought it would be helpful to document the process behind this music, for a couple of reasons. First of all, I expect to be teaching this kind of production a lot …
Continue reading “Composing improvisationally with Ableton Live”
A while ago I wrote a post explaining how jazz works. In response, someone asked me to name my favorite hundred jazz tracks. So here’s my list. It’s totally subjective and necessarily incomplete, but I can guarantee that any of these tunes will make your life better. Hear them on Spotify.
Here are three stories about the relationship of funk to the avant-garde. Meshell Ndegeocello at Tonic In my twenties, I forced myself to experience a lot of very highbrow avant-garde music: free jazz, experimental electronica, and various combinations thereof. One such experience was a show at Tonic. I forget who was on the bill exactly, …
Continue reading “Highbrow musicians need to bring the funk”
Thelonious Monk’s beautiful ballad “Round Midnight” is said to be the most widely recorded and performed jazz tune — that is, a tune that was written specifically for jazz, not an adaptation of a showtune or pop song. It’s a testament to its popularity that it’s one of exactly two songs that Dave Chappelle knows …
Rather than attempting the impossible task of explaining how everything in jazz works, I’m going to pick a specific tune and talk you through it: “Someday My Prince Will Come” by Miles Davis, off the 1961 album by the same name. First, here’s the original version of the tune from Snow White. Once you’ve got …
Improvisation Charlie Christian – “Waiting For Benny” [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/PHnBiT1Jp_4″ frameborder=”0″ allowfullscreen]
Ella Fitzgerald lost some of her range as she got older, but her soul and phrasing got deeper and deeper. The series of duet albums she did with Joe Pass late in her life are exquisite. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/dnYnpApOkQg” frameborder=”0″ allowfullscreen]
There’s a certain jazz lick that’s so heavily used that it’s just known as The Lick. It’s the only jazz lick I know of that has its own Facebook page. Here’s a greatest hits compilation: Update: now there’s a volume two!
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you …
Typical jazz compositions are written expressly as vehicles for improvisation. Mainstream jazz tunes since the 1940s take the form head-solos-head. The head is a written melody, and the solos are improvised around the chord changes of the head. Scores for these kinds of tunes take the form of lead sheets, like the ones found in …
Continue reading “How is it possible to compose jazz when improvisation is an essential component?”
