What makes jazz great?

Improvisation Charlie Christian – “Waiting For Benny” [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/PHnBiT1Jp_4″ frameborder=”0″ allowfullscreen]

The Lick

There’s a certain jazz lick that’s so heavily used that it’s just known as The Lick. It’s the only jazz lick I know of that has its own Facebook page. Here’s a greatest hits compilation: Update: now there’s a volume two!

The best jazz versions of classical pieces

For my tastes, you can’t beat the Ellington Nutcracker. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/ONknTGUckKc” frameborder=”0″ allowfullscreen] Ellington’s Peer Gynt suite is also pretty wonderful. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/1mne1rQ0rcw” frameborder=”0″ allowfullscreen] This one has inspired some remixing from me. [iframe_loader width=”100%” height=”166″ scrolling=”no” frameborder=”no” src=”http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F12726693&auto_play=false&show_artwork=true&color=ff7700″]

What are the greatest basslines ever?

The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you …

Samples and community

The defining musical experience of my lifetime is hearing familiar samples in unfamiliar contexts. For me, the experience is usually a thrill. For a lot of people, the experience makes them angry. Using recognizable samples necessarily means having an emotional conversation with everyone who already has an attachment to the original recording. Music is about …

How is it possible to compose jazz when improvisation is an essential component?

Typical jazz compositions are written expressly as vehicles for improvisation. Mainstream jazz tunes since the 1940s take the form head-solos-head. The head is a written melody, and the solos are improvised around the chord changes of the head. Scores for these kinds of tunes take the form of lead sheets, like the ones found in …

Interviewing Leo Ferguson

My friend and sometime musical collaborater Leo Ferguson is releasing an album of his adventurous jazz compositions and arrangements. Leo Ferguson Ensemble (2011) by Leo Ferguson As part of the album’s extended liner notes, I interviewed Leo on May 5, 2011. Here’s an edited transcript; you can also hear the audio on Leo’s site.

The freakiness of melodic minor

My last post on minor keys covered the three scales you need for most situations in rock, pop, and film scores: natural minor, harmonic minor, and Dorian mode. There’s also the blues scale, which sounds good in any key, major or minor. For musical Jedi masters, there’s one more valuable minor scale. It’s called the …

Blues basics

Since I’m teaching the twelve-bar blues to some guitar students, I figured I’d put the lessons in the form of a blog post. Blues is a big topic and this isn’t going to be anything like a definitive guide. Think of it more as a tasting menu. Blues is a confusing term. You probably have …