See the complete Talking Heads series The only cover that Talking Heads ever recorded was a tune co-written by Al Green and his guitarist Teenie Hodges. Like all Al Green classics, this was produced by the great Willie Mitchell. Teenie’s brothers Charles and Leroy play organ and bass respectively, the drums are by Howard Grimes, …
Tag Archives: funk
Making Flippy Floppy
Somebody suggested that I transcribe all the Talking Heads songs. I won’t do that, but I do seem to be in the process of analyzing all of my favorites. There are a bunch! Here’s one. I assume that the title is a sexual euphemism? If so, it’s a weird one. In addition to the four …
Burning Down The House
Here is the closest Talking Heads ever came to a legitimate pop hit, their only song to crack the Billboard Top Ten. It isn’t as conceptually or musically groundbreaking as “Once In A Lifetime“, but it contains depths of its own.
Slippery People
Here’s a song I like from Speaking in Tongues: Here’s a live version that I love, from Stop Making Sense, though the fast tempo is a bit anxiety-producing: And here’s my favorite version, which my kids are also completely obsessed with, from David Byrne’s American Utopia:
This Must Be The Place (Naive Melody)
Since my kids continue to be obsessed with David Byrne’s American Utopia, I have Talking Heads on the brain. Here’s one of their best songs ever, produced by the band members themselves. Here’s the delightful version from Stop Making Sense. As David Byrne says in his interview with himself, “I try to write about small …
David Byrne’s American Utopia
I go way, way back with Talking Heads. The first band I was ever in did “And She Was” as an acoustic folk number. My wife, who is awesome, recently took me on a date to see American Utopia on Broadway. You can see the fantastic filmed version directed by Spike Lee on HBO. Like …
Erroll Garner meets the Carpenters
When I teach remixes in music tech class, I like to make the analogy to radical jazz arrangements of standards. Technically, John Coltrane’s version of “My Favorite Things” is not a remix of the version from The Sound of Music, but it occupies the same cultural role as a remix. (In fact, I just accidentally …
Dilla Time in “Chameleon”
After reading and re-reading Dan Charnas’ Dilla Time, now I’m listening to music with new attention to rhythmic subtleties. I have especially been digging into the relationship between J Dilla and Herbie Hancock–Dilla sampled Herbie on “Get Dis Money” and “Zen Guitar.” That digging made me go back to my favorite Herbie tune with fresh …
Watermelon Man
As part of my current J Dilla binge, I was excited to find a track where he flips a Herbie Hancock sample (no, not “Come Running To Me“, though that one is great too.) This sent me down a rabbit hole with “Watermelon Man.” This track has had quite a journey, both in its prehistory and …
Living for the City
This Stevie Wonder classic is an iconic blues-based groove combined with some very non-blues-based harmony. Stevie sang all the parts and played all the instruments, including the sumptuous analog synth sounds designed with Malcolm Cecil and Robert Margouleff. Stevie’s brother Calvin Hardaway is the main character in the spoken interlude. Ira Tucker Jr of the …