Modern classical techno

One of my Montclair State students recently did a class presentation on Venetian Snares, the stage name of highbrow electronica producer Aaron Funk. The track uses samples from the first movement of Béla Bartók’s fourth string quartet, accompanied by shuffled slices of the Amen break. It sounds to me like an EDM artist trying to …

Pop songwriting in the age of the Digital Audio Workstation

Bennett, J. (2011). Collaborative songwriting – the ontology of negotiated creativity in popular music studio practice. Journal on the Art of Record Production, (5), online. My professional life at the moment mostly consists of teaching classical and jazz musicians how to write pop songs. While every American is intuitively familiar with the norms of pop …

What is groove?

You hear musicians talk all the time about groove. You might wonder what they mean by that. A lot of musicians couldn’t explain exactly, beyond “the thing that makes music sound good.” The etymology of the term comes from vinyl records. Musicians ride the groove the way a phonograph needle physically rides the groove in …

Participatory music vs presentational music

In this post, I’ll be doing some public-facing note-taking on Music As Social Life: The Politics Of Participation by Thomas Turino. I’m especially interested in chapter two: Participatory and Presentational Performance. We in America tend to place a high value on presentational music created by professionals, and a low value on participatory music made by …

The Red Hot Chili Peppers unplugged

In case you don’t pay attention to such things, there’s a miniature scandal swirling around the Red Hot Chili Peppers’ performance at the Super Bowl halftime show. Close examination of the footage reveals that the bass and guitar weren’t plugged in. Flea, the Peppers’ bassist, came forward and admitted that they used a pre-recorded track, …

Why is son clave so awesome?

One of the best discoveries I made while researching the Groove Pizza is the mathematician Godfried Toussaint. While the bookshelves groan with mathematical analyses of Western harmony, Toussaint is the rare scholar who uses the same tools to understand Afro-Cuban rhythms. He’s especially interested in the rhythm known to Latin musicians as 3-2 son clave, …

Friends don’t let friends clap on one and three

Here’s my final project for NYU’s Psychology of Music class, enjoy. Feel free to download this presentation or the full paper. Friends Don’t Let Friends Clap on One and Three: a Backbeat Clapping Study