Syncopation in Chopin

I’m trying to get better at understanding classical music, ideally without doing too much Schenkerian analysis. I can hunt for cadences as well as anyone who’s been to music school, and I understand how important they are as structural elements in the Western canon. But there’s more to this music than harmony. It has rhythm …

Let’s argue about this one weird chord in the Brahms Intermezzo in B-flat minor

I have some aspirations in music theory pedagogy, and toward that end, I’m learning more about Schenkerian analysis. If I’m going to resist it, I should at least be conversant in the thing I’m resisting, right? So I’ve been reading Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form by David Beach. One of his …

Glenn Gould wanted me to make this remix

Glenn Gould thought people should make their own edits of classical recordings. He explains this idea in greater depth here. I read it and thought, challenge accepted!

Remixing Mozart’s Piano Concerto No. 21 – Andante

Mozart is mostly not to my taste, but there is no denying that the man could write a melody. My favorite melody of his is the one from the second movement of his Piano Concerto No. 21 in C major. I like Daniel Barenboim’s interpretation the best; everyone else plays it too fast for me. …

Party like it’s 1624

In trying to learn (and learn about) the Bach Chaconne, I’m facing a struggle that’s familiar from trying to learn about jazz. The chaconne is a dance form originating in the Americas, or among African people who were brought to the Americas. Spanish and Portuguese colonists brought the chaconne to Europe in the early 1600s, …

Funky Minuet in G major

In my continuing quest to learn the classical canon through remixing with Ableton Live, I’ve taken on Bach’s Minuet in G major. Which is apparently not by Bach at all, but rather by some guy named Christian Petzold. Live and learn. A minuet is a dance, but in 2018, it’s hard to dance in triple meter. …