Who cares if you listen?

I pride myself on having big ears, on listening to everything I can and trying to find the beauty in it. I’ve learned to enjoy some aspect of just about every kind of music. Every kind except one: high modernist twentieth century classical music. I just can not deal with it, at all. But I’m …

Inside Morton Subotnick’s studio

Update: one of the photos below currently appears on Mort’s Wikipedia page. Pretty cool. The seminar I’ve been taking with Morton Subotnick is sadly drawing to a close. As part of the end of the semester, we were invited to Professor Subotnick’s home studio, a few blocks from NYU, to get a demonstration of the …

Originality in Digital Music

This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it …

What we talk about when we talk about Kanye West

Here’s an email conversation I’ve been having with my friend Greg Brown about Kanye West’s recent albums. Greg is a classical composer and performer with a much more avant-garde sensibility than mine. The exchange is lightly edited for clarity. Greg: I’ve been listening to 808s and Heartbreak and Twisted Fantasy. I’m really enjoying them. Far …

Encoding emotion

Steven R. Livingstone, Ralf Muhlberger, Andrew R. Brown, and William F. Thompson. Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. Computer Music Journal, 34:1, pp. 41–64, Spring 2010. The authors present CMERS, “a Computational Music Emotion Rule System for the real-time control of musical emotion that modifies features at both the …

The Lick

There’s a certain jazz lick that’s so heavily used that it’s just known as The Lick. It’s the only jazz lick I know of that has its own Facebook page. Here’s a greatest hits compilation: Update: now there’s a volume two!

The best jazz versions of classical pieces

For my tastes, you can’t beat the Ellington Nutcracker. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/ONknTGUckKc” frameborder=”0″ allowfullscreen] Ellington’s Peer Gynt suite is also pretty wonderful. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/1mne1rQ0rcw” frameborder=”0″ allowfullscreen] This one has inspired some remixing from me. [iframe_loader width=”100%” height=”166″ scrolling=”no” frameborder=”no” src=”http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F12726693&auto_play=false&show_artwork=true&color=ff7700″]

How do you know what key you’re in?

It’s hard to figure out what key a piece of music is in. There are a lot of conflicting answers from different music theory texts. To make matters worse, it’s not at all unusual for a song to change keys, even within a section or phrase. Even rock songs written by totally naive songwriters can …

It don’t mean a thing if it ain’t got that swing

Today is the Fourth of July, and I can’t think of anything more patriotic than a post about our most significant contribution to world musical culture: swing. The title of this post refers to the classic Duke Ellington tune, sung here by Ray Nance. Check out the “yah yah” trombone by Tricky Sam Nanton. The …