Fan Wars: Copyright vs. Mash-ups and Fan Fiction Many mash-up artists seem unaware that their work implicates any rights at all, and copyright owners may be reluctant to alienate fans with copyright restrictions. Artists such as Girl Talk remain outspoken against copyright restrictions on mash-up culture. Individual copyright owners, such as the owners of Star …
Category Archives: Politics
Authenticity
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s …
The case for sampling
My friend Adam, a non-musician but devoted music fan, asked me why sampling is good. He’s used to hearing me defend sampling from the accusation that it’s bad, but he’d never heard a positive argument for it. In case you’ve ever asked the same question, here’s my answer.
Copyright Criminals
This PBS Independent Lens documentary on sampling culture is a good one, and you can watch the whole thing on Youtube. Their resources and links page includes my Biz Markie blog post. Thanks Beautiful Decay for posting the videos. Part one:
Apache makes you go hmmm
DJ Kool Herc describes “Apache” by The Incredible Bongo Band as the national anthem of hip-hop. “Apache” includes a famous drum and percussion break that has reliably put bodies on the dance floor through hip-hop’s prehistory: [audio:http://www.ethanhein.com/music/Apache_loop.mp3]
Open-source music
Sample-based music isn’t stealing. It’s valuable and important. It shows the way toward a future for recorded music that’s more in continuity with music’s past. Recordings are cool and everything, but they encourage passivity. If I buy a recording, I can listen to it or dance to it, both fine activities, but what if I …
Bitter Sweet Symphony
The case of the “Bitter Sweet Symphony” by The Verve is one of the biggest failures of copyright law in recent history. The distinctive string sample comes from an orchestral arrangement of “The Last Time” by The Rolling Stones. Doesn’t sound much like the Verve, does it? Here’s the Andrew Oldham Orchestra‘s version, the sample …
In spite of everything, I still listen to Kanye West all the time
Okay, so we’ve all firmly established that he’s not exactly a model of decorum. President Obama called him a jackass. Even before he disrupted the MTV awards, a lot of my friends disliked him intensely. This dislike crosses racial, class and gender boundaries. And yet, I like Kanye’s music better than just about anything that …
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Who owns the Michael Jackson makossa chant?
My favorite Michael Jackson song is “Wanna Be Startin’ Something.” This post is part of what’s turning into a series on it. The previous post is about the song as fan art, and some of the fan art that it’s inspired, from bootleg Youtube videos to licensed remixes. This one is about who owns the …
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Biz Markie gets the copyright smackdown
Biz Markie. Who doesn’t love him? Our broken intellectual property system, that’s who. Biz belongs to the period in the late eighties and early nineties that many hip-hop heads refer to as the golden age. The tracks of this period were dense with samples and quotes, most of which were used without permission. Biz was …