Psycho Killer

Read my entire Talking Heads series here. I connect more to Talking Heads’ Afrobeat and funk-inspired material than to their more “song-y” material, but, I mean, this is the archetypal Talking Heads tune, so I can’t not write about it. “Psycho Killer” is part of a particular family of Talking Heads songs that also includes …

Crosseyed And Painless

Since I’m stuck in my apartment with Covid for a while, looks like I have plenty of time to continue my Talking Heads series. Here’s one of their funkiest and most Afrobeat-sounding tracks. David Byrne always speak-sings to an extent, but this song has an actual rap verse (“Facts are simple and facts are straight…”) …

Take Me To The River

See the complete Talking Heads series The only cover that Talking Heads ever recorded was a tune co-written by Al Green and his guitarist Teenie Hodges. Like all Al Green classics, this was produced by the great Willie Mitchell. Teenie’s brothers Charles and Leroy play organ and bass respectively, the drums are by Howard Grimes, …

Making Flippy Floppy

Somebody suggested that I transcribe all the Talking Heads songs. I won’t do that, but I do seem to be in the process of analyzing all of my favorites. There are a bunch! Here’s one. I assume that the title is a sexual euphemism? If so, it’s a weird one. In addition to the four …

Burning Down The House

Here is the closest Talking Heads ever came to a legitimate pop hit, their only song to crack the Billboard Top Ten. It isn’t as conceptually or musically groundbreaking as “Once In A Lifetime“, but it contains depths of its own.

Once In A Lifetime

Here is what might possibly be my single favorite song in the world:

Lonely Woman

I have always had a hard time with Ornette Coleman, but I love “Lonely Woman”, because it manages to be both extremely weird and extremely catchy. Notice that at 2:09 during Ornette’s solo, someone goes “Woo!” Rightly so.

Isaac Schankler remixes Beethoven

My kid is learning the Moonlight Sonata. It’s lovely and all, but for a truly fresh take on this piece, you need to hear Isaac Schankler’s version. You can think of the first movement as having three parts: the bassline, the arpeggios, and the melody. Isaac shifted the bassline a bar later and the melody …

Slippery People

Here’s a song I like from Speaking in Tongues: Here’s a live version that I love, from Stop Making Sense, though the fast tempo is a bit anxiety-producing: And here’s my favorite version, which my kids are also completely obsessed with, from David Byrne’s American Utopia:

This Must Be The Place (Naive Melody)

Since my kids continue to be obsessed with David Byrne’s American Utopia, I have Talking Heads on the brain. Here’s one of their best songs ever, produced by the band members themselves. Here’s the delightful version from Stop Making Sense. As David Byrne says in his interview with himself, “I try to write about small …