Thelonious Monk wrote a lot of excellent blues tunes. “Straight, No Chaser” is the weirdest and coolest one. Here’s his first recording of it, from 1951: Here’s another good one, from his 1967 record of the same name:
Category Archives: Key Musicians
Songs vs Grooves
Anne Danielsen’s book Presence and Pleasure: The Funk Grooves of James Brown and Parliament is one of my favorite works of musicology. In the book, Danielsen distinguishes between songs and grooves. “Yesterday” by the Beatles is a song. “The Payback” by James Brown is a groove. In structural terms, a groove is a small musical …
Beethoven Remixed
The BBC is doing a Beethoven’s Fifth Symphony remix contest. You have to be a UK resident to enter, but anyone can download the samples and stems. They are pretty interesting! The producers recorded the orchestra’s instrument groups in isolation to create the stems, and they apparently tempo-mapped the whole thing to 108 BPM so …
Let’s ditch “The Star-Spangled Banner” and make “Lean On Me” our national anthem instead
Over the summer, with the BLM protests raging, my fellow music educators were doing a lot of soul-searching about the more problematic items in the traditional repertoire. The conversation inevitably turned toward “The Star-Spangled Banner,” with some questions about its appropriateness as a national anthem. Francis Scott Key owned slaves, and the third verse of …
Für Elise
Like most piano students at his level, my kid is now learning Beethoven’s Bagatelle No. 25 in A minor for solo piano, better known to the world as “Für Elise.” Or more accurately, he’s learning part of it. There turn out to be more sections than the iconic minor-key hook we’re all familiar with. These …
Lonely Woman but it’s Gregorian chant
This morning I saw this tweet: Lonely Woman but it's Gregorian chant — wayne&wax (@wayneandwax) October 30, 2020 I read it and thought, huh, that’s interesting. So I opened an Ableton session and put “Lonely Woman” by Ornette Coleman on a track. I have a few Hildegard von Bingen pieces in my iTunes, and I …
Transcribing Kendrick Lamar
There is a lot going on in “DUCKWORTH”, between the story, the samples, and the production. I’m just focused on Kendrick’s flow for now, but there is a mountain of musicological study to be done with the other aspects of the song, and how the song relates to the rest of the album. Check out …
Transcribing Missy Elliott
As a kid growing up in New York City in the 80s, I loved rap, especially Run-DMC. In my teens, I moved away from it under the pressure of my rockist peers and other white nonsense. I found my way back into rap fandom as an adult, thanks in large part to Missy Elliott’s music …
So What
If you have never listened to jazz before, Miles Davis’ Kind Of Blue is a great place to start. If you’re an obsessive jazz fan like me, it never gets old. The heart of the album is its first track, “So What.” Even before you press play, there’s a world of meaning in that title. …
John Oswald said he likes my Stevie Wonder/Laurie Anderson mashup
I got an unexpected email today from the legendary composer/remixer John Oswald, whose Plunderphonics project was a major inspiration for me. (For example, check out “Dab,” “Power,” and the terrifying “Pretender.”) He told me that in the course of researching the connection between the second movement of Dvořák’s Piano Quintet No. 2 and the haunting …
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