Here’s a Charlie Parker recording that’s not widely known outside of jazz, but is absolutely foundational inside it: This recording features a very young Miles Davis on trumpet. Miles later said that he wrote the tune, and that its copyright attribution to Charlie Parker was a record label error. I believe him. It sounds more …
Author Archives: Ethan
RIP Godfried Toussaint
I was sad to learn about the recent death of Godfried Toussaint, whose work on the geometry of musical rhythm has been a major inspiration for me. I never met Godfried, but I have read and re-read his work. His rhythm necklace diagrams were the direct inspiration for the Groove Pizza – I saw them …
I Wanna Dance With Somebody
I was looking for some new acapellas to remix, and was delighted to come across Whitney Houston’s vocal stem from “I Wanna Dance With Somebody (Who Loves Me).” The 808-cowbell-laden production has undeniable charm, but the vocals by themselves are the real truth.
Jacob Collier’s four magical chords
Jacob Collier is the internet’s favorite musical virtuoso. Here’s his mostly acapella arrangement of a Christmas carol called “In The Bleak Midwinter.” The most remarkable part of this arrangement comes between the third and fourth verses, when Collier modulates from the key of E to the key of G half-sharp. That’s the key which is …
Remixing “A Day In The Life”
Back in 2009, Harmonix came out with The Beatles: Rock Band. In order to prepare the sound files for the game, the company needed the original multitrack stems for fifty Beatles songs. Someone at the company posted the stems online, and they remain in widespread circulation. (You can easily obtain them via a Google search.) …
Naima
I’ve been doing so much explaining basic music theory that I thought it would be fun to dig into something advanced: “Naima” by John Coltrane, from his all-killer-no-filler album Giant Steps. There are as many interpretations of this tune’s chord changes as there are transcriptions of it. The ones in the Real Book are real …
Toni Blackman asks, why worry?
Toni Blackman was a guest on the Clinical BOPulations podcast to talk about her song, “Why Worry,” and to discuss her freestyle rap practice in the context of music therapy. I did a remix of the song interspersed with Toni and her hosts’ discussion of it, enjoy: https://soundcloud.com/ethanhein/toni-blackman-why-worry-clinical-bopulations-mix The track represents Toni’s first foray into …
Developing an intro-level music theory course
In the fall of 2019, I started teaching Fundamentals of Western Music at the New School’s Eugene Lang College. It combines the usual Music Theory I content with a broader, more ethnomusicological perspective that brings in various forms of pop, non-Western musics, and (most excitingly for me) the blues. It’s an existing course, but I …
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Talking whiteness on the So Strangely podcast
Fellow NYU doctoral student and possessor of fabulous blue hair Finn Upham hosts a podcast called So Strangely that interviews music science researchers. (The podcast is named for the sublimely weird speech-to-song illusion.) Finn recently interviewed Juliet Hess, who is fearlessly examining the whiteness of university-level music education, and invited me along for additional music …
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Lil Nas X and the racial politics of country music
As of this writing, the biggest song in America is “Old Town Road” by Lil Nas X. It might also be the most interesting pop song of the 21st century so far. “Old Town Road” defies genre categorization. Like Herbie Hancock’s “Rockit,” it sits entangled in a vast musical rhizome. Lil Nas X calls it …
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