Saturday, February 25, 2012
Chapman, Dale. “That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production. Journal of the Society for American Music (2008) Volume 2, Number 2, pp. 155–175. Chapman examines the impact that Timbaland has had on popular music production, and what his significance is to the broader culture. While Timbaland himself is no longer the [...]
Filed in Key Musicians, Music, Race and Identity, Recording, Sampling, Software, Technology
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Also tagged anxiety, dance, hip-hop, Internet, linkedin, missy elliot, pop, posthuman, production, technomusicology
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Last night I was talking about my sister about how timeless Missy Elliot songs are, how they continue to sound futuristic no matter how long it’s been since they were recorded. It was true of “Work It” and it’s equally true of “Get Ur Freak On.” Click the image to see the video, since I [...]
Saturday, September 11, 2010
Missy Elliot is one of the most futuristic electronic adventurers out there, especially in her collaborations with Timbaland. Yet her stuff is as hot and soulful as music gets. How does she do it?
Filed in Key Musicians, Music, Sampling, Software
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Also tagged blondie, breakdancing, digging the crates, eighties, hip-hop, missy elliot, pro tools, run-dmc, Sampling
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Wednesday, August 26, 2009
I revere Björk above most other musicians. She knows how to balance the coldness of electronic production with hotly unpredictable vocals and instrumental textures. Not everybody loves Björk as much as I do; her approach is eccentric and her sound gets on some people’s nerves. It took me a couple years to be convinced by [...]
Filed in Composition, Key Musicians, Music, Recording
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Also tagged audio editing, bjork, depression, electronica, hipster, iceland, interface, lord of the rings, missy elliot, pro tools, Recording, remixes, Sampling, sequencing, tolkien
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