Wednesday, April 17, 2013
My NYU masters thesis is a drum programming tutorial system for beginner musicians. It uses a novel circular interface for displaying the drum patterns. This presentation explains the project’s goals, motivations and scholarly background. If you prefer, see it on Slideshare.
Filed in Autobio, Interfaces, Music, Music Teaching, Software
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Also tagged ableton, dance, drum machines, drumming, electronica, hip-hop, looping, music notation, nyu, propellerhead, thesis, visualization
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Computers have revolutionized the composition, production and recording of music. However, they have not yet revolutionized music education. While a great deal of educational software exists, it mostly follows traditional teaching paradigms, offering ear training, flash cards and the like. Meanwhile, nearly all popular music is produced in part or in whole with software, yet [...]
Filed in Interfaces, Music, Music Teaching, Software, Technology
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Also tagged algorithmic composition, classical, Composition, computers, dance, dj, figure, garageband, guitar, Hardware, hip-hop, Improvisation, interfaces, ipad, keybs, logic, looping, morton subotnick, Music, music teaching, nyu, pro tools, propellerhead, reason, skeuomorphism, Software, synths, visualization
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Check out this presentation I gave at the December 2012 Advanced Ableton User Meetup at Tekserve, hosted by Hank Shocklee of Public Enemy. I speak about how useful Ableton Live is as a music teaching tool, using Gnarls Barkley’s “Crazy” as an example. Very shortly after I concluded my talk, my wife went into labor [...]
Filed in Autobio, Interfaces, Music, Music Teaching, Software, Technology
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Also tagged ableton, gnarls barkley, hank shocklee, interfaces, music teaching, visualization
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Apple has long made a practice of giving away cool software with their computers. One of the coolest such freebies is Garageband. It’s a stripped down version of Logic aimed at beginners, and it’s a surprisingly robust tool. The software instruments and loops sound terrific, the interface is approachable, and it’s generally a great scratchpad. [...]
Filed in Hardware, Interfaces, Music, Recording, Sampling
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Also tagged apple, beginners, drumming, garageband, guitar, interfaces, ios, ipad, keybs, linkedin, Music, music teaching, Sampling, sequencing, songwriting
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For my grad school thesis, I’m designing an intro-level music education app. I’m operating within the techno/hip-hop paradigm, with an Afrocentric rhythm-oriented approach. Electronic dance music production software had brought me much joy over the years, joy that I’m eager to spread to more people. I firmly believe that everyone is a potential musician, and [...]
Filed in Hardware, Interfaces, Software, Video Games
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Also tagged accordion, brian eno, drumming, haptic feedback, interfaces, keybs, linkedin, moog, morton subotnick, music notation, nyu, Video Games, visualization, xenakis
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The seminar I’ve been taking with Morton Subotnick is sadly drawing to a close. As part of the end of the semester, we were invited to Professor Subotnick’s home studio, a few blocks from NYU, to get a demonstration of the setup he uses in performances.
Filed in Composition, Hardware, Improvisation, Interfaces, Key Musicians, Music, Sampling, Software
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Also tagged ableton, avant-garde, buchla, classical, Composition, electronica, experimental, Improvisation, morton subotnick, nyu
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This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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Steven R. Livingstone, Ralf Muhlberger, Andrew R. Brown, and William F. Thompson. Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. Computer Music Journal, 34:1, pp. 41–64, Spring 2010. The authors present CMERS, “a Computational Music Emotion Rule System for the real-time control of musical emotion that modifies features at both the [...]
I’ve now had a couple of opportunities to play around with an iPad, and to surreptitiously watch other people use it. I have strong and mixed feelings. The touchscreen interface is pretty wonderful and I have no doubt that it’s going to send the mouse the way of the floppy disk. But the walled garden [...]
This weekend my electronica band Revival Revival is doing some shows for the first time in many months. We’ll be doing a lot of what my non-electronic-musician friends consider to be cheating. The lead vocals and guitar will be live, as will some of the synths. Everything else will be canned, recordings played back from [...]
Filed in Autobio, Hardware, Improvisation, Music, Recording, Software
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Also tagged authenticity, electronica, guitar, Improvisation, lionel richie, michael jackson, miles davis, pop, pro tools, reason, remixes, revival revival, songwriting
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