I’m doing a ton of writing for grad school, and will be posting the highlights here. First off, an abstract and discussion of this article: Katie Wilkie, Simon Holland, and Paul Mulholland. Winter, 2010. What Can The Language Of Musicians Tell Us About Music Interaction Design? Computer Music Journal, Vol. 34, No. 4, Pages 34-48 [...]
Tuesday, January 10, 2012
The mind constantly works to find tonal centers in any music. The best atonal music is really just very complex tonal music, challenging our ability to get our harmonic bearings without totally overwhelming us. Music that strikes the right balance between predictable, functional harmony and randomness is the stuff that people find exciting; the unexpected [...]
Wednesday, August 31, 2011
When I was a kid, I’d listen to music and wonder, why is this chord progression so much more satisfying than that one? Now I know the answer: secondary dominants, chords that temporarily change the key in a logical-sounding way. If you want to take your songwriting in a more sophisticated direction, you definitely want [...]
Filed in Composition, Music, Music Teaching, Music Theory
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Also tagged alicia keys, bob dylan, cadences, chords, circle of fifths, Composition, country, elizabeth cotten, i got rhythm, jay-z, jazz, Music Theory, neil young, ragtime, secondary dominants, tritones
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If you’re a guitarist, you may have noticed that it’s hard to get your instrument perfectly in tune. This is not your imagination. If you tune each string perfectly to the one next to it, the low E string will end up out of tune with the high E string. If you use an electronic [...]
Filed in Math, Music, Music Teaching, Music Theory
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Also tagged autotune, guitar, harmonics, history, Math, Music, Music Theory, tuning
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Thursday, January 20, 2011
The C major scale is the foundation that the rest of western music theory sits on. If you master it, you get a bunch of cool chords and scales for free, along with a window into a huge swath of our musical culture. How to form the scale Imagine an ice cube tray with twelve [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged beethoven, bjork, chords, classical, folk, guitar, leonard cohen, major scale, mozart, Music, Music Theory
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Expanding on a post about blues basics. When you’re first learning to improvise, it’s daunting to be confronted with all the scales. Fortunately, there’s one scale that sounds good in any situation: the blues scale. It’s a universal harmonic solvent. I haven’t encountered a chord progression yet that didn’t fit with the blues scale. It [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged blues, charles mingus, chords, dave brubeck, guitar, henry mancini, jazz, miles davis, Music Theory
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Sampling has the power to bridge gaps between seemingly widely different musical styles. You can take something lame, sample it, place it in a new context and make it hot. Busta Rhymes’ classic “Put Your Hands Where My Eyes Can See” is a prime example. The devastating beat, produced by Shamello and first-timer Buddha, is [...]
Filed in Music, Sampling
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Also tagged alfred hitchcock, bernard herrmann, busta rhymes, digging the crates, dissonance, galt mcdermot, hip-hop, Sampling, seals & croft, sugarhill gang
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This song represents a lot of firsts for Michael Jackson. It was the first single from Off The Wall, and the first recording MJ made that he had complete creative control over. Many of his hits were written by Quincy Jones or Rod Temperton or the guys from Toto, but Michael wrote this one himself. [...]
Filed in Dance, Key Musicians, Music
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Also tagged beyonce, dance, disco, drumming, hip-hop, jay-z, mase, Math, michael jackson, mixolydian, Music Theory, pop, public enemy, Sampling, seventies, slick rick, tritones
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Most beginner guitarists start by learning the same fifteen chords, usually called the “standard fifteen.” I’ve also heard them called the open chords because they make use of open strings and are thus easy to play. For fingerings, have a look at wikipedia or any book on beginner guitar. You can also see this handy [...]
Tuesday, January 26, 2010
Here’s a live rendition of Imogen Heap’s song “Hide And Seek.”
Filed in Hardware, Improvisation, Music, Recording
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Also tagged authenticity, autotune, brian eno, electronica, imogen heap, Improvisation, interface, keybs, midi, Music, pop, remixes, Sampling, synths
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