Wednesday, April 17, 2013
My NYU masters thesis is a drum programming tutorial system for beginner musicians. It uses a novel circular interface for displaying the drum patterns. This presentation explains the project’s goals, motivations and scholarly background. If you prefer, see it on Slideshare.
Filed in Autobio, Interfaces, Music, Music Teaching, Software
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Also tagged dance, drum machines, drumming, electronica, hip-hop, looping, midi, music notation, nyu, propellerhead, thesis, visualization
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For my final project in Advanced Audio Production at NYU, I created a 5.1 surround remix of the Beatles’ “Here Comes The Sun.” You can download it here. If you don’t have surround playback, you can listen to the stereo version: I was motivated to create a surround remix of a Beatles song by hearing [...]
Filed in Composition, Copyright and Authorship, Music, Recording, Software
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Also tagged beatles, danger mouse, dreaming, electronica, film theory, mixing, Music, nyu, paul geluso, pro tools, Recording, remixes, rock, surround sound, synths
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Check out this presentation I gave at the December 2012 Advanced Ableton User Meetup at Tekserve, hosted by Hank Shocklee of Public Enemy. I speak about how useful Ableton Live is as a music teaching tool, using Gnarls Barkley’s “Crazy” as an example. Very shortly after I concluded my talk, my wife went into labor [...]
Filed in Autobio, Interfaces, Music, Music Teaching, Software, Technology
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Also tagged gnarls barkley, hank shocklee, interfaces, midi, music teaching, visualization
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This past November, I had the privilege of performing in the fourth Disquiet Junto concert of 2012 in the apexart gallery.
Filed in Autobio, Composition, Improvisation, Music, Software
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Also tagged apexart, art, disquiet, harmonica, Improvisation, junto, marc weidenbaum, Music, retail
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The most fun Music Technology class I’m taking this semester is Advanced Audio Production with Paul Geluso. A major component of the class is learning how to listen analytically, and to that end, we were assigned to pick a song and do an exhaustive study of its sonic qualities. We used methods from William Moylan’s [...]
Filed in Composition, Music, Recording
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Also tagged analysis, attention, big boi, funk, hip-hop, janelle monae, melodyne, michael jackson, Music Theory, nyu, omnigraffle, paul geluso, production, r&b, Recording, visualization
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Thursday, October 18, 2012
On November 1st, I’ll be presenting strategies for using Ableton as a music teaching tool at the Ableton Advanced Users Meetup sponsored by Shocklee Interactive and Tekserve. The lineup also includes AfroDJMac, Brian Jackson, Ben Casey, Thomas Piper, DVS and DJ Juice E. Be there!
There’s no single standard method for notating pop, rock and dance songs. Some musicians write everything out in standard western notation; some don’t write anything down at all; many fall somewhere in between. One such compromise system in widespread use is the lead sheet: Other systems for song documentation include chord charts and the Nashville [...]
Filed in Composition, Music
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Also tagged beatles, carly rae jepsen, dance, diana ross, disco, eric b & rakim, funk, hip-hop, michael jackson, nile rodgers, pop, rock, song structure, songwriting, visualization
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The seminar I’ve been taking with Morton Subotnick is sadly drawing to a close. As part of the end of the semester, we were invited to Professor Subotnick’s home studio, a few blocks from NYU, to get a demonstration of the setup he uses in performances.
Filed in Composition, Hardware, Improvisation, Interfaces, Key Musicians, Music, Sampling, Software
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Also tagged avant-garde, buchla, classical, Composition, electronica, experimental, Improvisation, midi, morton subotnick, nyu
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This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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Saville, Kirt. Strategies for Using Repetition as a Powerful Teaching Tool. Music Educators Journal, 2011 98: 69 When a student brings a recorded song to me that they want to learn, the first thing I do is load it into Ableton and mark off the different sections with a simple color-coding scheme: blue for verses, [...]
Filed in Music Teaching, Sampling, Software
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Also tagged attention, chunking, flow, linkedin, looping, memory, nyu, teaching, transcribe
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