In his book Sweet Anticipation: Music and the Psychology of Expectation, David Huron does some fascinating speculation about the evolutionary origin of laughter.
No. Paul McCartney joined John Lennon’s skiffle band in 1957, when they were fifteen and sixteen, respectively. George Harrison joined the following year, when he was fourteen. (Ringo didn’t join the band until 1962.) Who were your friends when you were fourteen, fifteen, sixteen? Imagine yourself intensely and inseparably joined with these same people professionally, [...]
Sunday, November 11, 2012
Susan McClary “Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture.” in Audio Culture, Daniel Warner, ed, Continuum International Publishing Group, 2004, pp 289 – 298. This is essay is the best piece of music writing I’ve read in quite a while. She articulates my personal ideology of music perfectly. Also, she quotes Prince! [...]
Also filed in Composition, Improvisation, Music, Music Theory, Race and Identity, Recording
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Tagged america, classical, Composition, hip-hop, history, Improvisation, prince, race, Recording, repetition, schoenberg, susan mcclary, technomusicology, theodor adorno
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I’ve talked a lot of smack about high modernist music on this blog recently. Yesterday I got an email from a composer named Evan Kearney with some thoughtful reactions. Here’s what he had to say: [Y]ou wrote that you didn’t ‘get’ High Modernism (serialism, Webern, Pierre Boulez, Elliot Carter, etc.) and what it offered for [...]
I pride myself on having big ears, on listening to everything I can and trying to find the beauty in it. I’ve learned to enjoy some aspect of just about every kind of music, except one: high modernist twentieth century classical music. I just can not deal with it, at all. But I’m in music [...]
Also filed in Music, Music Theory
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Tagged academia, anxiety, aphex twin, boulez, classical, coltrane, dissonance, einstein, Emotion, horror, milton babbitt, modernism, Music, musique concrete, nyu, race, stockhausen, varese
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Here’s an email conversation I’ve been having with my friend Greg Brown about Kanye West’s recent albums. Greg is a classical composer and performer with a much more avant-garde sensibility than mine. The exchange is lightly edited for clarity. Greg: I’ve been listening to 808s and Heartbreak and Twisted Fantasy. I’m really enjoying them. Far [...]
Also filed in Key Musicians, Music, Recording, Software
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Tagged 808, 808s and heartbreak, autotune, classical, distortion, fiona apple, frank ocean, hip-hop, jay-z, john adams, kanye west, pop, posthuman, rnb, Sampling, singing, soul, watch the throne
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Steven R. Livingstone, Ralf Muhlberger, Andrew R. Brown, and William F. Thompson. Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. Computer Music Journal, 34:1, pp. 41–64, Spring 2010. The authors present CMERS, “a Computational Music Emotion Rule System for the real-time control of musical emotion that modifies features at both the [...]
Malawey, Victoria. Harmonic Stasis and Oscillation in Björk’s Medúlla. Music Theory Online, Volume 16, Number 1, January 2010. The fundamental unit of electronic popular music is the loop. This puts it at odds with the Western art music tradition, which typically favors linear structures with a narrative arc. Repetition has mostly appeared in classical music [...]
Also filed in Composition, Music, Recording, Sampling
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Tagged africa, attention, audio editing, bjork, Composition, linkedin, looping, medulla, nyu, repetition, singing
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Thursday, September 29, 2011
I would wish for Dawkins to use more emotional sensitivity and compassion when dealing with religious people, because his hostile tone gets in the way of his invaluable message. His condescending attitude toward believers, epitomized by calling atheists “brights,” is seriously counterproductive. I’m concerned that he’s unnecessarily confrontational and inflammatory in his TV appearances, op-eds [...]
Monday, September 26, 2011
I’ve been intrigued by Charles Lyell‘s self-described “dopamine awareness campaign,” trying to show how all of our social behaviors boil down to a desire for gratifying dopamine shots. The campaign doesn’t seem to be going so well; see, for example, the collapsing of his recent answer to Why do people contribute reviews of restaurants/theatres/events etc? [...]