I Wanna Dance With Somebody

I was looking for some new acapellas to remix, and was delighted to come across Whitney Houston’s vocal stem from “I Wanna Dance With Somebody (Who Loves Me).” The 808-cowbell-laden production has undeniable charm, but the vocals by themselves are the real truth.

Talking whiteness on the So Strangely podcast

Fellow NYU doctoral student and possessor of fabulous blue hair Finn Upham hosts a podcast called So Strangely that interviews music science researchers. (The podcast is named for the sublimely weird speech-to-song illusion.) Finn recently interviewed Juliet Hess, who is fearlessly examining the whiteness of university-level music education, and invited me along for additional music …

The Shinobi Cuts remix chain

I was invited by Jason Richardson to take part in a Shinobi Cuts remix chain, an album where each track is a remix of the previous track. The final remix is done by the creator of the track that started the whole thing off, making for a kind of musical strange loop.  When you listen to the …

Funky Minuet in G major

In my continuing quest to learn the classical canon through remixing with Ableton Live, I’ve taken on Bach’s Minuet in G major. Which is apparently not by Bach at all, but rather by some guy named Christian Petzold. Live and learn. A minuet is a dance, but in 2018, it’s hard to dance in triple meter. …

In praise of the Reflex Re-Edit

The Reflex is a London-based French DJ and producer named Nicolas Laugier. He specializes in a particular kind of remix, the re-edit, in which you rework a song using only sounds found within the song itself. Some re-edits keep the original song more or less intact, and just give it a punchier mix, a more …

My music technology syllabus

This is now out of date, see the current version I use variations on this project list for all of my courses. In Advanced Digital Audio Production at Montclair State University, students do all of these assignments. Students in Music Technology 101 do all of them except the ones marked Advanced. My syllabus for the …

Music Matters chapter seven

Public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class.  This chapter addresses musical meaning and how it emerges out of context. More accurately, it addresses how every musical experience has many meanings that emerge from many contexts. Elliott and Silverman begin with the meanings of performance, before moving …

Composing in the classroom

The hippest music teachers help their students create original music. But what exactly does that mean? What even is composition? In this post, I take a look at two innovators in music education and try to arrive at an answer. Matt McLean is the founder of the amazing Young Composers and Improvisers Workshop. He teaches his students composition using …

More remixes of my Disquiet Junto remix

The same Disquiet Junto project that spawned this wildly recursive remix also involved a few more people remixing my remix. Here’s a family tree of the three first generation source tracks, the seven second generation remixes of those tracks, and the three third generation remixes of the second generation remixes. You can hear the three third-generation metaremixes below.

Recursive remixes

Here’s a strange and interesting thing that happened to me. The assignment for Disquiet Junto project 233 was to remix three tracks. The assignment for Junto project 234 was to metaremix one of the remixes from project 233. One of the people whose remix I metaremixed was listening to my track and accidentally had it playing in two different browser …