I am committed to teaching my students something about the history of tuning in Western European music. I don’t expect them to retain any details or do any math, I just want them to know that the history exists. In preparation, I continue to refine my explanation of this history to myself. Before the year …
Tag Archives: music theory
The first day of Contemporary Music Theories at the New School
Here are the tracks we listened to on the first day of Contemporary Music Theories at the New School. The class is a requirement for music majors, and as its name suggests, it is intended to give a broad-based understanding of music theory, not just Western tonal theory. We started things off with excerpts of …
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Why are D-sharp and E-flat considered to be two different notes
Why do the black keys on the piano each have two different names? If the posts on r/musictheory are any indication, this is a persistent point of confusion, especially when music theory teachers get all persnickety about using the correct name. This confusion applies to all of the black keys, but in this post, I’ll be …
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Bach’s Lute Suite in G minor
I don’t get a lot of music-related correspondence on LinkedIn, so I was surprised when a stranger wrote me a very nice message there about my deep dive into the Bach Chaconne. He mentioned that he was learning the prelude to the Lute Suite in G Minor, BWV 995, and that he liked Göran Söllscher’s …
Led Zeppelin and the folkloric integrity of the blues
There is a fascinating moment in “When The Levee Breaks” by Led Zeppelin where Robert Plant plays a very flat ninth on the harmonica. I love this note, because there is so much music theory and history encoded within it. Listen at 0:41. Before we can get into the details of this note and what …
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Making Flippy Floppy
Somebody suggested that I transcribe all the Talking Heads songs. I won’t do that, but I do seem to be in the process of analyzing all of my favorites. There are a bunch! Here’s one. I assume that the title is a sexual euphemism? If so, it’s a weird one. In addition to the four …
Lonely Woman
I have always had a hard time with Ornette Coleman, but I love “Lonely Woman”, because it manages to be both extremely weird and extremely catchy. Notice that at 2:09 during Ornette’s solo, someone goes “Woo!” Rightly so.
Designing learning experiences with music technology: good for whom, good for what?
In my Technology Trends in Music Education class at NYU, we are asking one main question: how do you know whether a technological tool is helpful for music learning and expression? How do you assess it? To find the answer, you first have to be clear about your pedagogical goals, and that is not easy …
Hidden Place
At the request of Wenatchee the Hatchet, and also following my own long-standing interest, I took a dive into the opening track from Björk’s exquisite album Vespertine: I love Björk for so many reasons. A big one is her ability to make weird ideas sound approachable, which is closely related to her ability to make …
The Anchor Song
Is there a difference between Ionian mode and the major scale? C Ionian mode and the C major scale are the same collection of pitches. Does that mean that they are the same thing? There is a lot of confusion about this. Classic FM says that C Ionian and C major are interchangeable. This Stack …