Cold Sweat in the Terrordome

The internet is home to a lot of questionably legal breakbeat collections like Drumaddikt and Cyberworm’s Sample Blog. “Cold Sweat” by James Brown is always included in these collections. It’s beloved equally by hip-hop and drum n bass producers. The break is at 4:30. There’s probably a whole generation of producers who have sliced and …

The Champ

Music blogs, magazines and cable channels like to run lists of the best albums of all time. Certain albums get listed again and again: Sgt Pepper, Pet Sounds, Highway 61 Revisited. If you were to compile the best albums as measured by how often they get sampled by hip-hop producers, the list would look very …

The complicated case of Antoine Dodson

Meet the most fascinating and problematic pop star of the moment, Antoine Dodson. If you’re a follower of internet memes, you know the story by now. If not: Antoine, his sister Kelly and her daughter were asleep in their apartment in the Lincoln Park housing project in Huntsville, Alabama. An intruder broke in and sexually …

Nas Is Like

If I had to pick a single track to explain to an alien or time traveler what hip-hop is and why I love it, I think I’d pick “Nas Is Like.” Nas has a great flow full of powerful imagery, but what truly sets this track apart for me is DJ Premier’s production. It’s a …

Doctorin’ The Top Forty

In 1988, a pair of British acid house DJs named Bill Drummond and Jimmy Cauty, known as The Justified Ancients of Mu Mu, The Timelords, or The KLF, had an improbable number one hit with “Doctorin’ The Tardis.” The track isn’t so much a song as it is an early mashup. Just about everything in it …

Brand Nubian meets Edie Brickell

While I was researching the Spoonie G meme, I noticed that Brand Nubian uses a lot of remarkably creative samples. It inspired me to do a sample map of their classic first album, One For All. Click to see it bigger. Hear all the tracks sampled on One For All, via Kevin Nottingham’s awesome blog.

One for the treble, two for the bass

I’ve been hearing this line in a lot of hip-hop songs: “One for the treble, two for the time” or “One for the treble, two for the bass” or some variation. I wanted to find out what everybody’s quoting. After some internet detective work, here’s what I’ve got. The phrase is a play on the …

Songwriting and genealogy

The best tool for understanding where music comes from is evolutionary biology. Songs don’t spontaneously spring into being any more than animals or plants do. They evolve, descending from reshuffled pieces of existing songs, the way our genes are shuffled together from our parents’ genes. The same way that all life has a single common …

The case for sampling

My friend Adam, a non-musician but devoted music fan, asked me why sampling is good. He’s used to hearing me defend sampling from the accusation that it’s bad, but he’d never heard a positive argument for it. In case you’ve ever asked the same question, here’s my answer.