“The Funky Drummer Parts One And Two” by James Brown and the JBs is one of the most-sampled recordings in history. But even though the track is a cornerstone of hip-hop and other sample-based electronic music, for the first decade after its release, it was an obscurity. It’s not as catchy as James Brown’s big …
Continue reading “The natural history of the Funky Drummer break”
Auto-Tune makes producing music easier. It can also make understanding music theory easier. The way you dial up different keys and scales doesn’t just guide your ear, it also guides your eye. Your voice can produce a smooth continuum of pitches. To sing, you eliminate most of those possibilities, vibrating your mouth and throat only …
So the other night my friend Jesse played at the Shorty Awards with his Tin Pan Blues Band. Because it was an awards ceremony dedicated to the best of Twitter, they were projecting people’s tweets about the event itself onto a screen in real time. Some of those tweets were comments about the band. The …
Continue reading “Twitter, jazz and moving music forward into the stone age”
In my laptop band Revival Revival, we use Reason for all of our instrumental sounds and sample playback. The newest version has a handy color-coding feature in the sequencer, which makes it easy for me to be able to keep track of which part of which song happens in which order. Having all the tunes …
Continue reading “In the sequencer, the notation is the performance”
My experience with Auto-tune has felt like stepping out the door of a rocket ship to explore a whole new sonic planet. Auto-tune entered my musical life mainly from my work with Barbara Singer, who I met in 2003. She posted in the Craigslist Musicians section about this gig she had at the now-defunct Korova …
