In this post, I compare and contrast the soundscapes of two iconic sample-based tracks: “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, these two tracks nevertheless share a similar structure: dance grooves at medium-slow tempos centered around percussion and bass, overlaid …
Continue reading “The Schizophonia of David Byrne, Brian Eno, and The Orb”
The most fun Music Technology class I’m taking this semester is Advanced Audio Production with Paul Geluso. A major component of the class is learning how to listen analytically, and to that end, we were assigned to pick a song and do an exhaustive study of its sonic qualities. We used methods from William Moylan’s …
Continue reading “Sonic analysis of “Tightrope” by Janelle Monáe”
How do you write out a pop, rock or dance song? There’s no single standard method. Some musicians use standard Western notation. Some use lyric sheets and do everything else by ear. Many of us use methods that fall somewhere in between. One such compromise system in widespread use is the lead sheet: Other systems …
Here are three stories about the relationship of funk to the avant-garde. Meshell Ndegeocello at Tonic In my twenties, I forced myself to experience a lot of very highbrow avant-garde music: free jazz, experimental electronica, and various combinations thereof. One such experience was a show at Tonic. I forget who was on the bill exactly, …
Continue reading “Highbrow musicians need to bring the funk”
Ella Fitzgerald lost some of her range as she got older, but her soul and phrasing got deeper and deeper. The series of duet albums she did with Joe Pass late in her life are exquisite. [iframe_loader width=”480″ height=”360″ src=”http://www.youtube.com/embed/dnYnpApOkQg” frameborder=”0″ allowfullscreen]
The first time I heard Manu Dibango’s “Soul Makossa” was courtesy of Motorcycle Guy, a prominent Brooklyn eccentric who drives around on a tricked-out motorcycle bedecked with lights and equipped with a powerful sound system. I encounter him every so often and he’s always bumping some good funk, soul or R&B. One night, he was …
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you …
I always enjoy when hip-hop artists sample themselves. It makes the music recursive, and for me, “recursive” is synonymous with “good.” You can hear self-sampling in “Nas Is Like” by Nas, “The Score” by the Fugees and many songs by Eric B and Rakim. The most recent self-sampling track to cross my radar is “Unbelievable” …
Why does folk music collector Alan Lomax have a copyright interest in “Takeover” by Jay-Z? I learned the answer from Creative License: The Law And Culture Of Digital Sampling by Kembrew McLeod and Peter DiCola. It’s a companion book to the invaluable documentary Copyright Criminals. The story of Jay-Z and Alan Lomax isn’t quite as …
When teaching guitar, I find that my students need the most help with groove. Students come to me expecting to learn chords, scales, riffs and ultimately entire tunes. I do teach those things, but after a little guidance, anyone can learn them on their own just as well from books, videos, web sites and so …
