Musical simples: Come Together

Presumably you’re familiar with this song? If not, run out and get Abbey Road and don’t deprive yourself for another minute. As far as I’m concerned, you can have Revolver and Sergeant Pepper and whatever else; Abbey Road is the best Beatles album. It opens with the funkiest, baddest bass and drum riff in their …

Project-based music technology teaching

I use a project-based approach to teaching music technology. Technical concepts stick with you better if you learn them in the course of making actual music. Here’s the list of projects I assign to my college classes and private students. I’ve arranged them from easiest to hardest. The first five projects are suitable for a …

Beatmaking fundamentals

I’m currently working with the Ed Sullivan Fellows program, an initiative of the NYU MusEDLab where we mentor up and coming rappers and producers. Many of them are working with beats they got from YouTube or SoundCloud. That’s fine for working out ideas, but to get to the next level, the Fellows need to be making their …

Ultralight Beam

The first song on Kanye West’s Life Of Pablo album, and my favorite so far, is the beautiful, gospel-saturated “Ultralight Beam.” Say what you want about Kanye as a public figure, but as a musician, he is in complete control of his craft. See a live performance on SNL. The song uses only four chords, but they’re …

Theory for Producers

I’m delighted to announce the launch of a new interactive online music course called Theory for Producers. It’s a joint effort by Soundfly and the NYU MusEDLab, representing the culmination of several years worth of design and programming. We’re super proud of it. The course makes the abstractions of music theory concrete by presenting them in the form …

Space Oddity: from song to track

If you have ever wondered what it is that a music producer does, David Bowie’s “Space Oddity” provides an excellent example. A producer turns this: into this:

Ethan’s Trax

Ethan’s Trax is an iTunes playlist I maintain that includes all of the music I’ve ever recorded. Well, more accurately, it’s all of the music that I care to be reminded of. I haven’t included every draft and dead end. But if a track has any artistic or sentimental value whatsoever to me, it’s in Ethan’s Trax. As of this writing, …

Hit Me Baby

The most appalling song that appears on Mad Men is over the closing credits of the fifth season episode “Mystery Date.” It is not Carole King and Gerry Goffin’s finest work. It’s easy to cluck your tongue at 1962. They were so primitive back then! Surely we’re doing better now. Right? Well…

Pedagogical remixing with Splice

My newest music student is a gentleman named Rob Precht. As is increasingly the case with people I teach privately, Rob lives many time zones away, and he and I have never met face to face. Instead, we’ve been conducting lessons via a combination of Skype and Splice. It’s the first really practical remote music …