This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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This PBS Independent Lens documentary on sampling culture is a good one, and you can watch the whole thing on Youtube. Their resources and links page includes my Biz Markie blog post. Thanks Beautiful Decay for posting the videos. Part one:
Filed in Composition, Copyright and Authorship, Music, Music Business, Politics, Sampling, Software
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Also tagged a tribe called quest, audio editing, beastie boys, biz markie, clyde stubblefield, computers, copyright, dance, eighties, george clinton, hip-hop, Improvisation, james brown, jeff chang, looping, mashups, memes, michael jackson, Music, pro tools, public enemy, Recording, remixes, rock, Sampling
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Turntablists use record players to play records in ways they weren’t meant to be played. By speeding up, slowing down and reversing the record under the needle, a whole universe of new sounds becomes possible. The record player as musical instrument is still in its early stages of development. DJs already invented the instrumental sound [...]
Filed in Hardware, Improvisation, Interfaces, Music, Sampling
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Also tagged a tribe called quest, afrika bambaataa, apache, dj premier, funky drummer, grand mixer dst, grandmaster flash, herbie hancock, hip-hop, Improvisation, looping, mashups, music notation, peter piper, rahzel, remixes, rhythm, rockit, run-dmc, Sampling, scratch, turntablism, visualization, wu-tang
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Now that I have an office job, I’m spending a lot of time under headphones while I correct people’s grammar. It’s a good opportunity to explore the outer reaches of my music tastes. The office has some networked iTunes libraries heavy on the Pitchfork 500, and I have whatever I’m bringing from home. I’ve also [...]
Filed in Internet, Music, Music Business, Software
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Also tagged algorithmic composition, bjork, database, herbie hancock, hip-hop, internet radio, itunes, kanye west, napoleon dynamite, netflix, pandora, random, remixes, shuffle, thelonious monk
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Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a [...]
Filed in Composition, Copyright and Authorship, Internet, Music, Sampling
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Also tagged dave brubeck, digging the crates, dj earworm, django reinhardt, double dee and steinski, electronica, fan art, fugees, funk, girl talk, glenn gould, grandmaster flash, green lantern, hip-hop, jonathan lethem, kelis, ludacris, mashups, memes, michael jackson, mixtapes, mozart, nas, paul simon, pop, pro tools, radiohead, recursion, remixes, sample maps, Sampling, sasha frere-jones, wayne marshall, youtube
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